སྙིང་པོའི་ཆོས་མཛོད།: Difference between revisions

From Buddha-Nature
((by SublimeText.Mediawiker))
((by SublimeText.Mediawiker))
Line 1: Line 1:
<div class="h1 large" style="font-family: TibetanClassic;">དཔེ་མཛོད་ཁང་</div>__NOTOC__{{#addbodyclass:no-first-heading}}
<div class="h1 large text-130" style="font-family: TibetanClassic;">དཔེ་མཛོད་ཁང་</div>__NOTOC__{{#addbodyclass:no-first-heading}}


{{Jumbotron
{{Jumbotron

Revision as of 10:50, 26 August 2020

དཔེ་མཛོད་ཁང་

Some description in Tibetan here:
Source literature is divided into the two broad categories of sūtras and commentaries. While traditionally both entail a wide range of internal divisions and classifications, here the two can be simply understood to demarcate the difference between scriptures orated by the Buddha or his attendant bodhisattvas, and authored works which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings.



Dharma Teachings

Article
"Tathāgata" in Haribhadra's Commentary
No abstract given. Here is the first relevant paragraph:

From ancient times, the origin of "tathāgata", which has been usually translated as 如 來 (one who comes thus), is not unknown. This has been used as the title of Buddha, chiefly in Buddhism from the start.
      Now, I will consider the meaning of "tathāgata" in the Abhisamayālaṃkārālokā Prajñāpāramitā-vyākhyā of Haribhadra (ed. by Wogihara) (W.). This includes the Aṣṭasāhasrikā-Prajñāpāramitā-sūtra (As.), Maitreya's Abhisamayālaṃkāraśāstra-kārikā (A.) which is a summary of the Pañcaviṃśatisāhasrikā-Prajñāpāramitā-sūtra (P.), and Haribhadra's commentary which is based on the P. and the As. Accordingly at first, I point out sentences of "tathāgata", which I think as the etymological explanations, and then survey the character of it. (Mano, "'Tathāgata' in Haribhadra's Commentary," 22)
Mano, Ryūkai. "'Tathāgata' in Haribhadra's Commentary." Indogaku Bukkyōgaku Kenkyū (Journal of Indian and Buddhist Studies) 16, no. 2 (1968): 22–28.
Article
"Zen is Not Buddhism": Recent Japanese Critiques of Buddha-Nature
Hongaku shisō, the idea that all beings are "inherently" enlightened, is an almost universal assumption in the Japanese Buddhist tradition. This idea also played an important role in the indigenization of Buddhism in Japan and in the development of the syncretistic religious ethos that underlies Japanese society. Through most of Japanese history, the idea of the inherent enlightenment (including non-sentient beings such as plants and rocks—which expanded to include assumptions such as the non-differentiation between "indigenous" kami and the Buddhas and bodhisattvas, and the transcendence of all dualities (including good and evil) as an ideal—was pervasive and unquestioned in much of Japanese religious activity and thought. Recently some Japanese Buddhist scholars, notably Hakamaya Noriaki and Matsumoto Shirō of the Sōtō Zen sect [at] Komazawa University, have questioned the legitimacy of this ethos, claiming that it is antithetical to basic Buddhist ideas such as anātman ("no-self"), and that it is the source of many social problems in Japan. They call for a conscious recognition and rejection of this ethos, and a return to "true Buddhism." After presenting a brief outline of the history and significance of these ideas in Japan, Hakamaya and Matsumoto's critique is explained and examined. Some of the academic and social reactions to this critique are also explored.
Swanson, Paul L. "'Zen is Not Buddhism': Recent Japanese Critiques of Buddha-Nature." Numen 40, no. 2 (1993): 115–49. http://www.thezensite.com/ZenEssays/HistoricalZen/zen-is-not-BUDDHISM.pdf.
Article
'Gos Lo tsā ba gZhon nu dpal's Commentary on the Dharmatā Chapter of the Dharmadharmatāvibhāgakārikās
'Gos Lo tsā ba gZhon nu dpal's (1392-1481) commentary on the second chapter of the Ratnagotravibhāgavyākhyā (RGVV) is introduced by a detailed explanation of the dharmatā chapter in the Dharmadharmatāvibhāgakārikās (DhDhVK). This is, according to gZhon nu dpal, because the detailed presentation of āśrayaparivŗtti in the DhDhV is a commentary on the bodhi chapter of the RGV. In both texts, āśrayaparivŗtti refers to a positively described ultimate which is revealed by removing adventitious stains. Whereas in the RGV this is the Buddha-element (or tathāgatagarbha) with its inseparable qualities, it is the dharmatā, suchness or natural luminosity (prakŗtiprabhāsvaratā) in the Dharmadharmatāvibhāgavŗtti (DhDhVV). This luminosity is compared to primordially pure space, gold and water which must have their adventitious stains removed before they can be discovered. From this gZhon nu dpal concludes that the DhDhVV belongs to the Madhyamaka tradition. Consequently, the typical Yogācāra negation of external objects is taken as referring to the latters' non-existence in terms of svabhāva.
      What makes gZhon nu dpal's DhDhV-commentary so interesting is his mahāmudrā interpretation of a central topic in the DhDhV, i.e., the abandonment of all "mentally created characteristic signs" (nimittas). The latter practice plays a crucial role in the cultivation of non-conceptual wisdom, which is taken as the cause or the foundation of āśrayaparivŗtti in the DhDhV. Based on Sahajavajra's (11th century) Tattvadaśakaţīkā gZhon nu dpal explains that the nimittas are abandoned by directly realizing their natural luminosity which amounts to a direct or non-conceptual experience of their true nature. To be sure, while the usual Mahāyāna approach involves an initial analysis of the nimittas, namely, an analytic meditation which eventually turns into non-conceptual abiding in the same way as a fire kindled from rubbing pieces of wood bums the pieces of wood themselves (gZhon nu dpal explains this on the basis of Kamalaśīla's commentary on the Nirvikalpapraveśadhāraņī), mahāmudrā pith-instructions enable a meditation of direct perceptions right from the beginning. In view of the fact that such direct perceptions of emptiness (or dharmatā in this context here) usually start from the first Bodhisattva-level onwards, gZhon nu dpal also tries to show that the four yogas of mahāmudrā are in accordance with the four prayogas of the DhDhV. It should be noted that such a mahāmudrā interpretation must have already existed in India, as can be seen from Jñānakīrti's (10th/11th-century) Tattvāvatāra, in which a not-specifically-Tantric form of mahāmudrā practice is related with the traditional fourfold Mahāyāna meditation by equating "Mahāyāna" in Lańkāvatārasūtra X.257d with mahāmudrā. The pādas X.257cd "A yogin who is established in a state without appearances sees Mahāyāna" thus mean that one finally sees or realizes mahāmudrā.
      To sum up, the DhDhV plays an important role for gZhon nu dpal in that it provides a canonical basis for his mahāmudrā tradition, and by showing that the dharmatā portion of the DhDhV is a commentary on the second chapter of the RGV, gZhon nu dpal skillfully links his mahāmudrā interpretation to the standard Indian work on Buddha-nature, and thus to a concept which considerably facilitated the bridging of the Sūtras with the Tantras. (Source Accessed April 1, 2020)
Mathes, Klaus-Dieter. "'Gos Lo tsā ba gZhon nu dpal's Commentary on the Dharmatā Chapter of the Dharmadharmatāvibhāgakārikās." Studies in Indian Philosophy and Buddhism 12 (2005): 3–39.
Article
'Gos Lo tsā ba gZhon nu dpal's Extensive Commentary on and Study of the Ratnagotravibhāgavyākhyā
In this paper I present some preliminary observations on 'Gos Lo tsā ba Gzhon nu dpal's (1392-1481) commentary on the Ratnagotravibhāgavyākhyā, which I am editing and evaluating as a part of my habilitation project. Three years ago I gained access to a photocopy of a 698-folio-long handwritten dbu med version of this text.'"`UNIQ--ref-00006792-QINU`"' Like the Indian vyākhyā, the commentary is divided into five chapters. Their headings are listed together with the folio numbers on a cover page, which bears the seal of the Zhva dmar pa and assigns the letter ha to the volume containing Gzhon nu dpal's commentary. It is thus reasonable to assume that the original was kept in the library of the Shamarpas in Yangpacan, probably already from the time of the famous Fourth Shamarpa Chos kyi grags pa (1453-1524), who was a disciple of Gzhon nu dpal. After the war with Prithivi Narayan Shah in 1792, Yangpacan was seized by the Gelug government and the text found its way to Drepung, where many other Kagyu texts were kept. Recently I received a photocopy of a Yangpacan block-print from Tibet with the same text on 463 folios. This could be the text described by A khu ching Shes rab rgya mtsho as having 461 folios.'"`UNIQ--ref-00006793-QINU`"' The numbering starts anew with each chapter; thus a small calculation mistake could explain the difference of two folios. (Mathes, introductory remarks, 79)
Mathes, Klaus-Dieter. "'Gos Lo tsā ba Gzhon nu dpal's Extensive Commentary on and Study of the Ratnagotravibhāgavyākhyā." In Religion and Secular Culture in Tibet, edited by Henk Blezer with the assistance of Abel Zadoks, 79–96. Proceedings of the Ninth Seminar of the International Association of Tibetan Studies, Leiden 2000. Brill’s Tibetan Studies Library 2/2. Leiden: Brill, 2002.
Article
A Clue to the Authorship of the Awakening of Faith: "Śikṣānanda's" Redaction of the Word "Nien"
The text, Ta-ch'eng ch'i-hsin lunf (The Awakening of Faith in Mahāyāna, henceforth abbreviated as AFM), has been the center of a long controversy in the field of Buddhist studies. It has been suspected by Mochizuki Shinkōg'"`UNIQ--ref-00006745-QINU`"' and others to be a Chinese fabrication, while Tokiwa Daijō and others defend its alleged Indian origin. The present short article will not review the past and present scholarship on the AFM or bring in my own studies on the matter.'"`UNIQ--ref-00006746-QINU`"' It will be devoted to one tiny but crucial issue: the fate of a key concept in the two "translations"—Paramārtha's original (AFM) and Śikṣānanda's version (AFMS for short). The concept is nien and wu-nien. To state the conclusion here so as to simplify our discussion: the nien complex, in my opinion, cannot be understood without reference to a pre-Buddhist (Han Chinese) usage of the term. It is foreign or jarring enough to the person responsible for the AFMS that it has been systematically modified or outright substituted so as to bring the AFM in line with the Yogācāra (Wei-shih,i Vijñaptimātratā) philosophy. By showing the sinitic character of the nien ideology, its centrality in the AFM, and the redaction of it by the AFMS, we can come one step closer to resolving the long controversy over the authorship of the AFM. From the limited evidence in this one short study, it would appear that the AFM was authored in China and the AFMS was a conscious redaction of the AFM in China (or Korea?'"`UNIQ--ref-00006747-QINU`"') to bring this work into line with the demands of Hsüan-tsang'sj Wei-shih philosophy.
      We will begin with a survey of modern Sanskritists' attempts at identifying nien and why such attempts have ultimately failed. Then we will look at a similar attempt by the AFMS to edit off the nien ideology and how by so doing it violated the integrity of the original AFM message. The sinitic meaning of the term nien and wu-nien will be demonstrated with precedents in Han thought, usages in the Six Dynasties and in Ch'an.k I will conclude with a word on why AFMS was produced. (Lai, "A Clue to the Authorship of the Awakening of Faith," 34–35)
Lai, Whalen. "A Clue to the Authorship of the Awakening of Faith: 'Śikṣānanda's' Redaction of the Word 'Nien'." Journal of the International Association of Buddhist Studies 3, no. 1 (1980): 34–53. https://journals.ub.uni-heidelberg.de/index.php/jiabs/article/view/8506/2413.
Article
A Comment on the Term Ārambaṇa in the Ratnagotravibhāga, I, 9
No abstract given. Here are the first relevant paragraphs:

The term ' ārambaṇa ' is one of the technical terms unique to Buddhism. Being equivalent to Pali ' ārammaṇa ' and Cl. Skt. ' ālambana ' it is usually used in the sense of 'basis of cognition' or 'sense-object', e.g. rūpa as ārambaṇa of cakṣurvijñāna, or dharma as that of manovijñāna. The usual equivalent to this term in Tibetan and Chinese language is ' dmigs pa ' and '所 縁', respectively.
      What I am going to examine here is whether or not the same meaning mentioned above can be applied to this term used in the Ratnagotravibhāga (RGV), I, 9.

Read more here . . .
Takasaki, Jikidō. "A Comment on the Term Ārambaṇa in the Ratnagotravibhāga, I, 9," Indogaku Bukkyōgaku Kenkyū (Journal of Indian and Buddhist Studies) 10, no. 2 (1962): 26–33. https://www.jstage.jst.go.jp/article/ibk1952/10/2/10_2_757/_pdf/-char/en.
Article
A Comparative Study of Taehyŏn, Wŏnhyo, and Fazangs’ Views on Ālayavijñāna and Tathāgatagarbha
The concept of ālayavijñāna has been accepted in East Asia by either demonstrating its association to tathāgatagarbha or negating it, since Bodhiruci (fl. 508-35) introduced it by translating the Daśabhūmikasūtra-śāstra. It was in this context that the Awakening of Faith (C. Dasheng qixin lun 大乘起信論) drew East Asian Buddhist scholiasts’ attention. The central message of the Awakening of Faith that tathāgatagarbha is synthesized to ālayavijñāna in neither-identical-nor-different condition is directly associated to the contemporary issue of how ālayavijñāna serves as the basis of sentient being’s enlightenment. Silla Yogācāra exegete Taehyŏn 大賢 (ca. 8th century) is one of the East Asian monks who noted the Awakening of Faith and articulates the relationship between tathāgatagarbha and ālayavijñāna in the Taesŭng kisillon naeŭi yak t’amgi 大乘起信論內義略探記, his commentary of the Awakening of Faith. This article explores Taehyŏn’s views on ālayavijñāna and tathāgatagarbha in his commentary of the Awakening of Faith in comparison to those of other exegetes, such as Wŏnhyo 元曉 (617–686) and Fazang 法藏 (643–712). This article seeks to demonstrate on the basis of this examination that there were distinct doctrinal positions on the tathāgatagarbha of the Awakening of Faith, which are also associated to their understandings of consciousness system.
Lee, Sumi. "A Comparative Study of Taehyŏn, Wŏnhyo, and Fazangs’ Views on Ālayavijñāna and Tathāgatagarbha." (In Korean.) Journal of Eastern-Asia Buddhism and Culture 32, no. 12 (2017): 101–29.
Article
A Critical Edition and Translation of a Text Fragment from Abhayākaragupta's Āmnāyamañjarī: Göttingen, Cod.ms.sanscr.259b
No abstract given. Here are the first relevant paragraphs:

An encyclopedic author active during the reign of King Rāmapāla (ca. 1084–1126/1077– ca. 1119) of the Pāla Dynasty, Abhayākaragupta is renowned for his erudition in a vast range of subjects in Buddhism.[1] His expertise is especially prominent in, though not limited to, the area of Tantric Buddhism, as attested by the well-known "Garland Trilogy" (phreng ba skor gsum), i.e. his three major works on Tantric ritual (Vajrāvalī, Jyotirmañjarī, and Niṣpannayogāvalī), which exercised a great influence on the Buddhism of the later period in Nepal and Tibet.
      The Peking bsTan 'gyur includes twenty-six works ascribed to Abhayākaragupta, of which twenty-three are in the domain of Tantra; the other three deal with non-Tantric Buddhism.[2] Though most of these works are only available through Tibetan translation, some important texts of Abhayākaragupta are preserved in Sanskrit. The following works in Sanskrit have hitherto been edited: Niṣpannayogāvalī; Vajrāvalī; Jyotimañjarī; Ucchuṣmajambhalasādhana; Svādhiṣṭhānakramopadeśa.[3] In addition, Sanskrit manuscripts are known to exist of the Pañcakramatātparyapañjikā Kramakaumudī, Kālacakrāvatāra, and Abhayapaddhati.[4] According to some recent information, furthermore, Sanskrit manuscripts of the Āmnāyamañjarī, Munimatālaṅkāra and Madhyamakamañjarī[5] have been discovered in Tibet [6]
      The Amnāyamañjarī, which may be called the magnum opus of Abhayākaragupta, is a commentary on the Saṃpuṭodbhavatantra and an encyclopedic compendium of Indian Tantric Buddhism. According to Bühnemann, Abhayākaragupta undertook the composition of the Amnāyamañjarī before 1101 or 1108 C.E. (twenty-fifth regnal year of Rāmapāla) and completed it in 1113 or 1120 C.E (thirty-seventh year of Rāmapāla). As has been remarked,[7] the Saṃpuṭodbhavatantra, though traditionally considered to be an Explanatory Tantra (vyākhyātantra) of the Hevajra and Saṃvara cycles, integrates many doctrinal and ritual elements adopted from several heterogeneous textual traditions such as that of the Guhyasamāja. Because of this "ecumenical" character of the Saṃpuṭodbhavatantra, the Amnāyamañjarī as its commentary also encompasses a great variety of subjects relating to the doctrine and ritual of Tantric Buddhism. The Amnāyamañjarī is referred to several times by Abhayākaragupta himself in his other works, such as the Munimatālaṅkāra, Abhayapaddhati, Pañcakramatātparyapañjikā, and Vajrāvalī.[8] In turn, the Āmnāyamañjarī refers to his other works [9]
      Though, as remarked above, the existence of a presumably complete Sanskrit manuscript of the Āmnāyamañjarī has been reported, it still remains inaccessible to us. However, a single folio fragment of this text has been recently identified in the collection of Sanskrit manuscripts in Göttingen. In this paper, we describe this manuscript fragment and present a critical edition and an annotated translation of the text contained in it. We also include as appendices an edition of the corresponding part of the Tibetan translation as well as parallel passages found in Kamalanātha's Ratnāvalī and Abhayākaragupta's Abhayapaddhati. (Tomabechi and Kano, Abhayākaragupta and the Āmnāyamañjarī, 22–23)

Notes
  1. For the dates and works of Abhayākaragupta, see Erb 1997: 27–29: Bühnemann and Tachikawa 1991: Bühnemann 1992.
  2. For bibliographical information on these works, see Bühnemann 1992: 123–125.
  3. The Svādhiṣṭhānakramopadeśa (or Dvibhujasaṃvaropadeśa) was edited by Okuyama (1993).
  4. The Centre for Tantric Studies at University of Hamburg is currently working on a joint project to the Abhayapaddhati in collaboration with CTRC (China Tibetology Research Centre). Tomabechi is preparing a critical edition of the Kramakaumudī based on the manuscript copy preserved at CTRC.
  5. The latter text is not included in the bsTan 'gyur, but is mentioned by Abhayākaragupta himself in the Munimatālaṅkāra, D 145v6; P 179r8: mdor bsdus pa ni kho bos dbu ma'i snye mar phul du byung bar rnam par bshad do; Āmnāyamañjarī, D 28r1; P 31r2–3: 'di'i skye ba dang 'jig pa de dag kyang dbu ma'i snye mar nges par dpyad zin pas (P: pa'i) ... ; D 76v7–77r1; P 86v2-3: thsad ma gang gis 'di rang bzhin med pa nyid du bsgrub pa de ni bdag cag gis rgyas pa dang bcas par dbu ma'i snye mar nye bar bkod cing; D 162r5–6; P 179v1: bzlog pa kho na las de kho na nyid 'di rnams so zhes dbu ma'i snye mar nges par dpyad zin to (P: te). See also Isoda 1984: 3 n. 14.
  6. These texts are registered in the (unpublished) catalogue of microfilms kept at the CTRC in Beijing. Tomabechi confirmed the existence of the copies of these manuscripts during his visit to Beijing in May–June 2007.
  7. Noguchi 1984 and Skorupski 1996: 201.
  8. See Munimatālaṅkāra, D 89r4; P 93v2, D 218r7; P 287r4, Kramakaumudī, fol. 22v4, 27r1, 53v4. For the Abhayapaddhati see Bühnemann and Tachikawa 1991: xiv and Bühnemann 1992:123; and for the Vajrāvalī, see Bühnemann and Tachikawa 1991: xvi and Bühnemann 1992: 125.
  9. Vajrāvalī (in ĀM D 72v3; P 82r2, D 97r1; P 108r7, D 188v7; P 208r5, D 24Or2; P 266v4, D 257v2; P 288r4, D 260r4; P 291r5–6), Jyotirmañjarī (in ĀM D 24Or2; P 266v3, D 260r3; P 291r4), Madhyamakamañjarī (in ĀM D 28r1; P 31r2–3, D 76v7-77r1; P 86v2–3, D 162r6; P 179v1; See note 6 above), Munimatālaṃkāra (in ĀM D 12r3; P 13v3, D 24v5; P 27v2, D 24v6; P 27v4, D 33v4; P 37v1–2, D 41v7–42r1; P 47r2, D 52r1; P 56r6, D 77r1; P 86v3, D 112v5–6); P 125r3, D 174v7; P 193r8, D 225v3; P 249r2, D 270r1–2; P 302v6), Abhayapaddhati (in ĀM D 77r1; P 86v2, D 209r2; P 229v8), Cakrasaṃvarābhisamaya (in ĀM D 172v6; P 191r6–7, D 242v3; P 269v7).
Tomabechi, Tōru, and Kazuo Kano. "A Critical Edition and Translation of a Text Fragment from Abhayākaragupta's Āmnāyamañjarī: Göttingen, Cod.ms.sanscr.259b." Tantric Studies 1 (2008): 22–44.
Article
A Eulogy of Mind’s Connate Qualities, Zhwa dmar Chos grags ye shes on the Hidden Meaning of Luminosity
The Fourth Zhwa dmar pa Chos grags ye shes (1453–1524) as well as being a prominent student and biographer of the famous ’Gos Lo tsā ba, also established himself as a scholar, a central Tibetan ruler, and a monk. His collected works discuss among much else the topic of luminosity as it is developed in the Bka’ brgyud pa Mahāmudrā tradition.
      This paper focuses on his writings on the “hidden meaning of luminosity”. According to Chos grags ye shes the nonaffirming negation in the second cycle of the Buddha’s teaching is of not fully perfected definitive meaning while the affirming negation of the third wheel, the inseparability of mind’s emptiness and luminosity, in other words mahāmudrā, constitutes the fully perfected definitive meaning. (Draszczyk, introduction, 1)
Draszczyk, Martina. "A Eulogy of Mind's Connate Qualities, Zhwa dmar Chos grags ye shes on the Hidden Meaning of Luminosity." In Zentralasiatische Studien 44 (Part 1), edited by Klaus-Dieter Mathes, 99–120. Andiast, Switzerland: International Institute for Tibetan and Buddhist Studies GmbH, 2015. http://www.bodhi.at/files/draszczyk_2015b_a_eulogy_of_mind_s_connate_qualities_zas.pdf.
Article
A Fragment of the "Uttaratantra" in Sanskrit
A study and facsimile of a Sanskrit fragment of the Ratnagotravibhāga, published before the complete Sanskrit text became available.
Bailey, Harold W., and E. H. Johnston. "A Fragment of the Uttaratantra in Sanskrit." Bulletin of the School of Oriental Studies 8, no. 1 (1935): 77–89.
Retrieved from "https://buddhanature-new2.tsadra.org/index.php?title=སྙིང་པོའི་ཆོས་མཛོད།&oldid=50015"
Buddha-Nature
A Tsadra Foundation Initiative
A multimedia resource hub for scripture, scholarship,
and teachings on tathāgatagarbha.
Join the Tsadra Foundation mailing list:

Tsadra Foundation
Translation & Transmission Conference
DharmaCloud Tibetan eBooks
Buddha-Nature
Śāntideva's Life and Works
Rinchen Terdzö Chenmo
Damngak Rinpoche Dzö
Khyentse Lineage
Dharma Dictionary

བོད་སྐད་
About
Site Guide
Read
Watch
Glossary
Login

Project Description

The purpose of the buddha-nature website is to provide a resource hub for trustworthy information for learning about and teaching the concept of buddha-nature, its associated texts, teachings, lineages, and relevant Buddhist ideas. Unique content will be shared here, but the site will primarily act as a broker for other projects and authors that have already created quality materials, which we will curate for a wide range of audiences.

About us ...
© Tsadra Foundation. Please feel free to use this website and its content in accordance with fair use policies for teaching, scholarship, education, and research.