Verse II.54

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Ratnagotravibhāga Root Verse II.54

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Verse II.54 Variations

जातकान्युपपत्तिं च तुषितेषु च्युतिं ततः
गर्भा[व]क्रमणं जन्म शिल्पस्थानानि कौशलम्

E. H. Johnston as input by the University of the West.^[1]

jātakānyupapattiṃ ca tuṣiteṣu cyutiṃ tataḥ
garbhā[va]kramaṇaṃ janma śilpasthānāni kauśalam

E. H. Johnston as input by the University of the West.^[2]

།སྐྱེ་བ་མངོན་པར་སྐྱེ་བ་དང་།
།དགའ་ལྡན་གནས་ནས་འཕོ་བ་དང་།
།ལྷུམས་སུ་འཇུག་དང་བལྟམས་པ་དང་།
།བཟོ་ཡི་གནས་ལ་མཁས་པ་དང་།

Dege, PHI, 128

[He assumes his previous] births, appears
In Tuṣita, descends from there,
Enters the womb [of his mother], is born,
Becomes skilled in the field of arts and crafts,

When the Clouds Part, Brunnhölzl, 425 ^[3]

Les vies antérieures, la naissance spontanée [chez les dieux],

La descente du ciel des Tuṣitas, L’entrée dans une matrice, la naissance, La maîtrise des arts et des sciences,

Charrier, Christian and Patrick Carré. Traité de la Continuité suprême du Grand Véhicule. Plazac: Éditions Padmakara, 2019.

RGVV Commentary on Verse II.54

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།ཚིགས་སུ་བཅད་པ་བཞི་པོ་འདིའི་དོན་ནི། ཚིགས་སུ་བཅད་པ་ཉི་ཤུས་རིག་པར་བྱ་སྟེ། རང་འབྱུང་རྣམས་ཀྱི་ཐམས་ཅད་མཁྱེན། །སངས་རྒྱས་ཉིད་ཅེས་གང་བརྗོད་པ། །མཆོག་ཏུ་མྱ་ངན་འདས་བསམ་མེད། །དགྲ་བཅོམ་སོ་སོའི་བདག་གྱུར་པ། །དེ་དབྱེ་ཟབ་དང་རྒྱ་ཆེ་དང་། །བདག་ཉིད་ཆེན་པོའི་ཡོན་ཏན་གྱི། །ཆོས་ཀྱིས་རབ་ཕྱེ་རང་བཞིན་ལ། །སོགས་པའི་སྐུ་གསུམ་དག་གིས་འཇུག །དེ་ལ་སངས་རྒྱས་རྣམས་ཀྱི་ནི། །ངོ་

བོ་ཉིད་སྐུ་མཚན་ཉིད་ལྔ། །མདོར་ན་ཡོན་ཏན་ལྔ་དང་ནི། །ལྡན་པ་ཉིད་དུ་རིག་པར་བྱ། །འདུས་མ་བྱས་ཤིང་རྣམ་དབྱེར་མེད། །མཐའ་གཉིས་དག་ནི་རྣམ་པར་སྤང་། །ཉོན་མོངས་ཤེས་བྱའི་སྙོམས་འཇུག་གིས། །སྒྲིབ་གསུམ་ལས་ནི་ངེས་གྲོལ་ཏེ། །དྲི་མེད་རྣམ་པར་རྟོག་མེད་དང་། །རྣལ་འབྱོར་རྣམས་ཀྱི་ཡུལ་ཡིན་ཕྱིར། །ཆོས་དབྱིངས་ངོ་བོ་ཉིད་ཀྱིས་ནི། །དག་པའི་ཕྱིར་ནི་འོད་གསལ་བ། །གཞལ་མེད་གྲངས་མེད་བསམ་མེད་པ། །མཉམ་མེད་དག་པའི་མཐར་ཐུག་པ། །ཡོན་ཏན་རྣམས་དང་ཡང་དག་པར། །ངོ་བོ་ཉིད་ཀྱི་སྐུ་ལྡན་ཏེ། །རྒྱ་ཆེའི་ཕྱིར་དང་གྲངས་མེད་ཕྱིར། །རྟོག་གེའི་ཡུལ་ནི་མིན་ཕྱིར་དང་། །འབའ་ཞིག་བག་ཆགས་བཅས་སྤངས་ཕྱིར། །གཞལ་མེད་ལ་སོགས་གོ་རིམས་བཞིན། །སྣ་ཚོགས་ཆོས་ལ་རྫོགས་ལོངས་སྤྱོད། །རང་བཞིན་ཆོས་ནི་སྣང་ཕྱིར་དང་། །ཐུགས་རྗེ་དག་པའི་རྒྱུ་མཐུན་པ། །འགྲོ་དོན་རྒྱུན་མི་འཆད་ཕྱིར་དང་། །རྣམ་པར་རྟོག་མེད་ལྷུན་གྲུབ་པར། །འདོད་པ་ཇི་བཞིན་ཡོངས་སྐོང་ཕྱིར། །ཡིད་བཞིན་ནོར་བུའི་རྫུ་འཕྲུལ་གྱིས། །རྫོགས་པར་ལོངས་སྤྱོད་རྣམ་པར་གནས། །བརྗོད་སྟོན་མཛད་རྒྱུན་མི་འཆད་དང་། །མངོན་པར་འདུ་བྱེད་མེད་པ་དང་། །དེ་ཡི་ངོ་བོ་མི་སྟོན་ལ། །འདིར་ནི་སྣ་ཚོགས་རྣམ་ལྔར་བརྗོད། །ཇི་ལྟར་ཚོན་ནི་སྣ་ཚོགས་ཀྱིས། །ནོར་བུ་དེ་དངོས་མི་སྣང་ལྟར། །དེ་བཞིན་འགྲོ་རྐྱེན་སྣ་ཚོགས་པས། །ཁྱབ་བདག་དེ་དངོས་མིན་པར་སྣང་། །ཐུགས་རྗེ་ཆེན་པོས་འཇིག་རྟེན་མཁྱེན། །འཇིག་རྟེན་ཀུན་ལ་གཟིགས་ནས་ནི། །ཆོས་ཀྱི་སྐུ་ལས་མ་གཡོས་པར། །སྤྲུལ་པའི་རང་བཞིན་སྣ་ཚོགས་ཀྱིས། །སྐྱེ་བ་མངོན་པར་སྐྱེ་བ་དང་། །དགའ་ལྡན་ནས་ནི་འཕོ་བ་དང་། །ལྷུམས་སུ་འཇུག་དང་བལྟམས་པ་དང་། །བཟོ་ཡི་གནས་ལ་མཁས་པ་དང་། །བཙུན་མོའི་འཁོར་གྱིས་དགྱེས་རོལ་དང་། །ངེས་འབྱུང་དཀའ་བ་སྤྱོད་པ་དང་། །བྱང་ཆུབ་སྙིང་པོར་གཤེགས་པ་དང་། །བདུད་སྡེ་འཇོམས་དང་རྫོགས་པར་ནི། །བྱང་ཆུབ་ཆོས་ཀྱི་འཁོར་ལོ་དང་། །མྱ་ངན་འདས་པར་གཤེགས་མཛད་རྣམས། །ཡོངས་སུ་མ་དག་ཞིང་རྣམས་སུ། །སྲིད་པ་ཇི་སྲིད་གནས་པར་སྟོན། །མི་

རྟག་སྡུག་བསྔལ་བདག་མེད་དང་། །ཞི་བའི་སྒྲ་ཡིས་ཐབས་མཁྱེན་པས། །སེམས་ཅན་སྲིད་གསུམ་སྐྱོ་བསྐྱེད་ནས། །མྱ་ངན་འདས་ལ་རབ་འཇུག་མཛད། །ཞི་བའི་ལམ་ལ་རབ་ཞུགས་པ། །མྱ་ངན་འདས་ཐོབ་འདུ་ཤེས་ཅན། །དམ་ཆོས་པདྨ་དཀར་ལ་སོགས། །ཆོས་ཀྱི་དེ་ཉིད་བསྟན་པ་ཡིས། །དེ་དག་ངར་འཛིན་ལས་བཟློག་སྟེ། །ཐབས་དང་ཤེས་རབ་ཡོངས་བཟུང་བས། །ཐེག་པ་མཆོག་ལ་སྨིན་མཛད་དེ། །བྱང་ཆུབ་མཆོག་ཏུ་ལུང་སྟོན་ཏོ། །ཟབ་དང་མཐུ་ནི་སྣ་ཚོགས་དང་། །བྱིས་པ་དོན་མཐུན་རབ་འདྲེན་ཕྱིར། །འདི་དག་གྲངས་བཞིན་ཟབ་པ་དང་། །རྒྱ་ཆེའི་བདག་ཉིད་ཆེར་ཤེས་བྱ། །འདི་ནི་དང་པོའི་ཆོས་སྐུ་སྟེ། །ཕྱི་མ་དག་ནི་གཟུགས་ཀྱི་སྐུ། །ནམ་མཁའ་ལ་ནི་གཟུགས་གནས་བཞིན། །དང་པོ་ལ་ནི་ཐ་མ་གནས།

Other English translations

Obermiller (1931) ^[16]

He became born (in the form of Śvetaketu),

Descended from the abode of Tuṣita,

Entered (his mother’s) womb, and was born (again);

He showed his skill in dexterous acts,

Takasaki (1966) ^[17]

The [various] previous births,

The birth in the Tuṣita-heaven, and descent from it,

The entrance into the womb, and the birth [in this world],

The skilfulness in various arts and works,

Fuchs (2000) ^[18]

Having [first] been born spontaneously in a [divine] existence

he then leaves the realm of Tushita and passes [into this world].

He enters [his mother's] womb, takes birth, and gains perfect skill,

mastering all the various fields of handicraft, science, and art.

Textual sources

Commentaries on this verse

Academic notes

Digital Sanskrit Buddhist Canon Unicode Input
Digital Sanskrit Buddhist Canon Unicode Input
Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.
VT (fol. 14v1) glosses nirvṛtiḥ/nirvāṇa (lit. "extinction") as "the extinction of the afflictive and cognitive obscurations."
I follow MB paramācintyaprāptiḥ pratyātmam arhatām (confirmed by VT, fol. 14v1–2) against J paramācintyaprāptiḥ pratyātmaveditā (DP mchog tu mya ngan ’das bsam med / dgra bcom so so’i bdag gyur pa /). Schmithausen’s suggested reading paramācintyā prāptiḥ (or praptā) due to DP’s connecting acintya with nirvṛtiḥ not only contradicts both MB and VT but it is also inconclusive as far as DP goes. For it is not definite that "inconceivable"in DP has to go with "nirvāṇa,"which is clearly shown by JKC and GC taking "inconceivable" as a characteristic of its own (as does C). VT relates both "highest" and "inconceivable"to attainment, speaking of "the arhats’ attainment of the highest inconceivable dharma,"which is then glossed as "buddhahood."
Schmithausen suggests dharmadhātusvabhāvataḥ instead of MB dharmadhātoḥ svabhāvataḥ. DP "it is luminous because it is pure by virtue of having the nature of the dharmadhātu" (chos dbyings ngo bo nyid kyis / dag pa’i phyir ni ’od gsal ba /). Verses II.45–46 comment on II.38 and II.44ac, so the five characteristics of the svābhāvikakāya are its being (1) unconditioned, (2) undifferentiable from its qualities, (3) free from the two extremes, (4) liberated from the three obscurations, and (5) pure and luminous. Verses II.47–48 explain the five qualities of the svābhāvikakāya, verses II.49–51 the five characteristics of the sambhogakāya, and verses II.52–59 the features of the nirmāṇakāya.
VT (fol. 14v2–3) divides the compound vicitradharmasaṃbhogarūpadharmāvabhasataḥ into vicitrasaṃbhogadharmāvabhasaḥ (glossing it as "teaching the dharma") and rūpadharmāvabhasaḥ (glossing it as "the display of form"). However, DP read rang bzhin for °rūpa°, and the Tibetan commentaries usually take this compound to mean "By way of enjoying all kinds of dharma and by way of appearing through its natural attributes."Both interpretations come down to the same meaning, referring to the first two characteristics of the sambhogakāya—dharma instructions and the display of a sambhogakāya form with its major and minor marks (as briefly repeated in II.51a). The remaining three characteristics of the sambhogakāya are listed in II.49cd–50c, and all five are briefly repeated in II.51.
VT (fol. 14v3) glosses "not having their nature" (atatsvabhāva°) as "the dharmadhātu’s lack of nature" (dharmadhātvasvabhāvatā).
With DP ma g.yos par, aviralaṃ is to be read as avicalan.
Schmithausen suggests śilpasthānātikauśalam for śilpasthānāni kauśalam.
DP ngar ’dzin ("ego-clinging"), which is an obvious misreading of sngar ’dzin since arhats of course lack ego-clinging.
Ut (D) phun tshogs DP sna tshogs ("various").
Skt. sārtha can also mean " (travel) company" (see Takasaki) or "assembly," but DP don mthun pa confirms the more likely meaning here.
VT (fol. 14v3–4) glosses "for them" (eṣu) as "for sentient beings."
As mentioned before, the first six topics that explain the fourth and the fifth vajra points have the same names (nature, cause, fruition, function, endowment, and manifestation). In terms of their contents, the fourth vajra point refers to the tathāgata heart with stains (the cause) and the fifth one to the very same tathāgata heart without stains (the fruition). Therefore, the six topics in each of these two vajra points are naturally related in terms of cause and fruition or in terms of what buddha nature is like while it is still obscured by adventitious stains versus what it is like when it is completely unobscured. For a detailed comparison of the contents of the first six topics of the fourth and fifth vajra points, see appendix 7.
Obermiller, E. "The Sublime Science of the Great Vehicle to Salvation Being a Manual of Buddhist Monism." Acta Orientalia IX (1931), pp. 81-306.
Takasaki, Jikido. A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism. Serie Orientale Roma 33. Roma: Istituto Italiano per il Medio ed Estremo Oriente (ISMEO), 1966.
Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. Commentary by Jamgon Kongtrul and explanations by Khenpo Tsultrim Gyamtso. Ithaca, N. Y.: Snow Lion Publications, 2000.

[1] Digital Sanskrit Buddhist Canon Unicode Input

[2] Digital Sanskrit Buddhist Canon Unicode Input

[3] Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.

[4] VT (fol. 14v1) glosses nirvṛtiḥ/nirvāṇa (lit. "extinction") as "the extinction of the afflictive and cognitive obscurations."

[5] I follow MB paramācintyaprāptiḥ pratyātmam arhatām (confirmed by VT, fol. 14v1–2) against J paramācintyaprāptiḥ pratyātmaveditā (DP mchog tu mya ngan ’das bsam med / dgra bcom so so’i bdag gyur pa /). Schmithausen’s suggested reading paramācintyā prāptiḥ (or praptā) due to DP’s connecting acintya with nirvṛtiḥ not only contradicts both MB and VT but it is also inconclusive as far as DP goes. For it is not definite that "inconceivable"in DP has to go with "nirvāṇa,"which is clearly shown by JKC and GC taking "inconceivable" as a characteristic of its own (as does C). VT relates both "highest" and "inconceivable"to attainment, speaking of "the arhats’ attainment of the highest inconceivable dharma,"which is then glossed as "buddhahood."

[6] Schmithausen suggests dharmadhātusvabhāvataḥ instead of MB dharmadhātoḥ svabhāvataḥ. DP "it is luminous because it is pure by virtue of having the nature of the dharmadhātu" (chos dbyings ngo bo nyid kyis / dag pa’i phyir ni ’od gsal ba /). Verses II.45–46 comment on II.38 and II.44ac, so the five characteristics of the svābhāvikakāya are its being (1) unconditioned, (2) undifferentiable from its qualities, (3) free from the two extremes, (4) liberated from the three obscurations, and (5) pure and luminous. Verses II.47–48 explain the five qualities of the svābhāvikakāya, verses II.49–51 the five characteristics of the sambhogakāya, and verses II.52–59 the features of the nirmāṇakāya.

[7] VT (fol. 14v2–3) divides the compound vicitradharmasaṃbhogarūpadharmāvabhasataḥ into vicitrasaṃbhogadharmāvabhasaḥ (glossing it as "teaching the dharma") and rūpadharmāvabhasaḥ (glossing it as "the display of form"). However, DP read rang bzhin for °rūpa°, and the Tibetan commentaries usually take this compound to mean "By way of enjoying all kinds of dharma and by way of appearing through its natural attributes."Both interpretations come down to the same meaning, referring to the first two characteristics of the sambhogakāya—dharma instructions and the display of a sambhogakāya form with its major and minor marks (as briefly repeated in II.51a). The remaining three characteristics of the sambhogakāya are listed in II.49cd–50c, and all five are briefly repeated in II.51.

[8] VT (fol. 14v3) glosses "not having their nature" (atatsvabhāva°) as "the dharmadhātu’s lack of nature" (dharmadhātvasvabhāvatā).

[9] With DP ma g.yos par, aviralaṃ is to be read as avicalan.

[10] Schmithausen suggests śilpasthānātikauśalam for śilpasthānāni kauśalam.

[11] DP ngar ’dzin ("ego-clinging"), which is an obvious misreading of sngar ’dzin since arhats of course lack ego-clinging.

[12] Ut (D) phun tshogs DP sna tshogs ("various").

[13] Skt. sārtha can also mean " (travel) company" (see Takasaki) or "assembly," but DP don mthun pa confirms the more likely meaning here.

[14] VT (fol. 14v3–4) glosses "for them" (eṣu) as "for sentient beings."

[15] As mentioned before, the first six topics that explain the fourth and the fifth vajra points have the same names (nature, cause, fruition, function, endowment, and manifestation). In terms of their contents, the fourth vajra point refers to the tathāgata heart with stains (the cause) and the fifth one to the very same tathāgata heart without stains (the fruition). Therefore, the six topics in each of these two vajra points are naturally related in terms of cause and fruition or in terms of what buddha nature is like while it is still obscured by adventitious stains versus what it is like when it is completely unobscured. For a detailed comparison of the contents of the first six topics of the fourth and fifth vajra points, see appendix 7.

[16] Obermiller, E. "The Sublime Science of the Great Vehicle to Salvation Being a Manual of Buddhist Monism." Acta Orientalia IX (1931), pp. 81-306.

[17] Takasaki, Jikido. A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism. Serie Orientale Roma 33. Roma: Istituto Italiano per il Medio ed Estremo Oriente (ISMEO), 1966.

[18] Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. Commentary by Jamgon Kongtrul and explanations by Khenpo Tsultrim Gyamtso. Ithaca, N. Y.: Snow Lion Publications, 2000.

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@@ Line 117: / Line 117: @@
 ::'''Just as form abides in space,'''
 ::'''The latter dwell in the first one'''.<ref>As mentioned before, the first six topics that explain the fourth and the fifth vajra points have the same names (nature, cause, fruition, function, endowment, and manifestation). In terms of their contents, the fourth vajra point refers to the tathāgata heart with stains (the cause) and the fifth one to the very same tathāgata heart without stains (the fruition). Therefore, the six topics in each of these two vajra points are naturally related in terms of cause and fruition or in terms of what buddha nature is like while it is still obscured by adventitious stains versus what it is like when it is completely unobscured. For a detailed comparison of the contents of the first six topics of the fourth and fifth vajra points, see appendix 7.</ref> II.61
+|OtherTranslations=<h6>Obermiller (1931) <ref>Obermiller, E. "The Sublime Science of the Great Vehicle to Salvation Being a Manual of Buddhist Monism." Acta Orientalia IX (1931), pp. 81-306.</ref></h6>
+:He became born (in the form of Śvetaketu),
+:Descended from the abode of Tuṣita,
+:Entered (his mother’s) womb, and was born (again);
+:He showed his skill in dexterous acts,
+<h6>Takasaki (1966) <ref>Takasaki, Jikido. [[A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism]]. Serie Orientale Roma 33. Roma: Istituto Italiano per il Medio ed Estremo Oriente (ISMEO), 1966.</ref></h6>
+:The [various] previous births,
+:The birth in the Tuṣita-heaven, and descent from it,
+:The entrance into the womb, and the birth [in this world],
+:The skilfulness in various arts and works,
+<h6>Fuchs (2000) <ref>Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. Commentary by Jamgon Kongtrul and explanations by Khenpo Tsultrim Gyamtso. Ithaca, N. Y.: Snow Lion Publications, 2000.</ref></h6>
+:Having [first] been born spontaneously in a [divine] existence
+:he then leaves the realm of Tushita and passes [into this world].
+:He enters [his mother's] womb, takes birth, and gains perfect skill,
+:mastering all the various fields of handicraft, science, and art.
 }}