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<div class="h1 large">The Source Texts</div>__NOTOC__
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|content=<div class="bnw-heading-3">A note about source texts</div>In relation to source literature, on this site, we generally divide these into the two broad categories of sūtras and commentaries. While traditionally both of these categories entail a wide range of internal divisions and classifications, here these two can be simply understood to demarcate the difference between scriptures orated by the Buddha, or his attendant Bodhisattvas, and authored works, which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings. In terms of the former, these texts are traditionally referred to as “buddhavacana,’’ literally “the speech of the Buddha,’’ and are considered to represent actual discourses that were recalled and passed down through oral lineages until they were eventually set into writing in the ensuing centuries. And though much has been written about these works in academic literature, especially in terms of the potential dates and locals of their composition, little is known of the actual authorship of these works and thus they are generally considered to be anonymous compositions. On the other hand, what we are referring to here as commentaries are generally signed by their authors, even if the contents of these compositions are credited to earlier figures. Though again, exact authorship of a particular text might still be uncertain or contested, in either traditional or academic circles, these types of texts, as opposed to sūtras, are universally considered to have been intentionally composed.
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<div class="bnw-heading-3">A note about source texts</div>In relation to source literature, on this site, we generally divide these into the two broad categories of sūtras and commentaries. While traditionally both of these categories entail a wide range of internal divisions and classifications, here these two can be simply understood to demarcate the difference between scriptures orated by the Buddha, or his attendant Bodhisattvas, and authored works, which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings. In terms of the former, these texts are traditionally referred to as “buddhavacana,’’ literally “the speech of the Buddha,’’ and are considered to represent actual discourses that were recalled and passed down through oral lineages until they were eventually set into writing in the ensuing centuries. And though much has been written about these works in academic literature, especially in terms of the potential dates and locals of their composition, little is known of the actual authorship of these works and thus they are generally considered to be anonymous compositions. On the other hand, what we are referring to here as commentaries are generally signed by their authors, even if the contents of these compositions are credited to earlier figures. Though again, exact authorship of a particular text might still be uncertain or contested, in either traditional or academic circles, these types of texts, as opposed to sūtras, are universally considered to have been intentionally composed.
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Revision as of 13:47, 4 February 2019

The Source Texts


A note about source texts
In relation to source literature, on this site, we generally divide these into the two broad categories of sūtras and commentaries. While traditionally both of these categories entail a wide range of internal divisions and classifications, here these two can be simply understood to demarcate the difference between scriptures orated by the Buddha, or his attendant Bodhisattvas, and authored works, which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings. In terms of the former, these texts are traditionally referred to as “buddhavacana,’’ literally “the speech of the Buddha,’’ and are considered to represent actual discourses that were recalled and passed down through oral lineages until they were eventually set into writing in the ensuing centuries. And though much has been written about these works in academic literature, especially in terms of the potential dates and locals of their composition, little is known of the actual authorship of these works and thus they are generally considered to be anonymous compositions. On the other hand, what we are referring to here as commentaries are generally signed by their authors, even if the contents of these compositions are credited to earlier figures. Though again, exact authorship of a particular text might still be uncertain or contested, in either traditional or academic circles, these types of texts, as opposed to sūtras, are universally considered to have been intentionally composed.



Sources for buddha-nature Teachings

The seeds of buddha-nature teachings are sprinkled throughout the sutras and tantras of the Buddhist canon. However, without doubt, the single most influential teaching that has spread the idea of buddha-nature to traditions all across the world is Maitreya's Ratnagotravibhāga Mahāyānottaratantraśāstra or "Gyu Lama" as it is known in the Tibetan traditions.

This page provides a listing of some of the key sources for buddha nature teachings found in the sutras, as well as the key texts found in Sanskrit, Chinese, and Tibetan traditions, as well as influential commentaries from centuries of traditional scholarship on the subject.

Jump to full source text list below


Sutra Sources

The titles of the Gyu Lama

The title Ratnagotravibhāga Mahāyānottaratantraśāstra[1] is attested in the surviving Sanskrit manuscripts. It roughly translates as “The Superior Continuum (uttaratantra) of the Mahāyāna, A Treatise (śāstra) Analyzing (vibhāga) the Source (gotra) of the Three Jewels (ratna).” One surviving Sanskrit reference, Abhayākaragupta’s Munimatālaṃkāra, gives the name as Mahāyānottara: [Treatise] on the Superior Mahāyāna [Doctrine].[2] Western scholars only became aware of Sanskrit versions in the 1930s (see below); prior to this, they knew the text only in Chinese or Tibetan translation, and this was complicated by the fact that both the Chinese and the Tibetan traditions divide the text into two. Where in India the Ratnagotravibhāga was a single work comprised of root verses, explanatory verses, and prose commentary, the Chinese and Tibetan translators and commentators considered the root and explanatory verses to be one text and the complete text, including the prose commentary, to be a second. Thus not only do we have multiple names in multiple languages for the treatise, but multiple names in Chinese and Tibetan for its different parts.... Read the whole essay here

Text
Maitreya, Asaṅga: Ratnagotravibhāga Mahāyānottaratantraśāstra
The Ratnagotravibhāga, commonly known as the Uttaratantra, or Gyu Lama in Tibetan, is one of the main Indian scriptural sources for buddha-nature theory. It was likely composed during the fifth century, by whom we do not know. Comprised of verses interspersed with prose commentary, it systematizes the buddha-nature teachings that were circulating in multiple sūtras such as the Tathāgatagarbhasūtra, the Mahāparinirvāṇasūtra, and the Śrīmaladevisūtra. The Tibetan tradition attributes the verses to the Bodhisattva Maitreya and the commentary to Asaṅga, and treats the two as separate texts, although this division is not attested to in surviving Indian versions. The Chinese tradition attributes the text to *Sāramati (娑囉末底), but the translation itself does not include the name of the author, and the matter remains unsettled. It was translated into Chinese in the early sixth century by Ratnamati and first translated into Tibetan by Atiśa, although this text is not known to survive. Ngok Loden Sherab translated it a second time based on teachings from the Kashmiri Pandita Sajjana, and theirs remains the standard translation. It has been translated into English several times, and recently into French. See the Ratnagotravibhāgavyākhyā, read more about the Ratnagotravibhāga, or take a look at the most complete English translation in When the Clouds Part by Karl Brunnholzl.
The Root Text: Read the root text of the Ratnagotravibhāga Mahāyānottaratantraśāstra here
The Root Verses: Comparative multilingual edition of the root verses only
Verse I.28: "The Three Reasons" Verse

Sanskrit Recensions

Tibetan Recensions

Chinese Texts

  • Ratnamati 勒那摩提 (508 A.D.), 究竟一乘寶性論 (Chinese translation of Rgvbh), in T 1611. Attributed author is Sāramati.

Commentaries on Ratnagotravibhāga

Indian Commentaries

Tibetan Commentaries

Select Tibetan Texts[4]

English Translations

When the Clouds Part

When the Clouds Part-front.jpg

"Buddha nature" (tathāgatagarbha) is the innate potential in all living beings to become a fully awakened buddha. This book discusses a wide range of topics connected with the notion of buddha nature as presented in Indo-Tibetan Buddhism and includes an overview of the sūtra sources of the tathāgatagarbha teachings and the different ways of explaining the meaning of this term. It includes new translations of the Maitreya treatise Mahāyānottaratantra (Ratnagotravibhāga), the primary Indian text on the subject, its Indian commentaries, and two (hitherto untranslated) commentaries from the Tibetan Kagyü tradition. Most important, the translator’s introduction investigates in detail the meditative tradition of using the Mahāyānottaratantra as a basis for Mahāmudrā instructions and the Shentong approach. This is supplemented by translations of a number of short Tibetan meditation manuals from the Kadampa, Kagyü, and Jonang schools that use the Mahāyānottaratantra as a work to contemplate and realize one’s own buddha nature. (Source: Shambhala Publications)
... read more
Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and Its Meditative Tradition as a Bridge between Sūtra and Tantra. Tsadra Foundation Series. Boston: Snow Lion Publications, 2014.

French Translations

German Translations

  1. According to the Sanskrit grammatical rules associated with sandhi, the word boundaries of the “a” of Mahāyāna and the “u” of Uttaratantra combine as “o.” The title could just as easily be rendered “Mahāyāna Uttaratantra Śāstra.”
  2. Kano, Buddha-Nature and Emptiness, 27, note #41.
  3. Besides this text, the only other two known Indian “commentaries” on the Uttaratantra are Vairocanarakṣita’s (eleventh century) very brief ahāyānottaratantraṭippaṇī (eight folios) and Sajjana’s (eleventh/twelfth century) Mahāyānottaratantraśāstropadeśa (a summary in thirty-seven verses). Brunnholzl, K. Luminous Heart pg 403 note 24
  4. For an extensive list of Tibetan Commentaries, see A List of the Commentaries on the Ratnagotravibhāga


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The Texts

Sutras

Text
RKTSK 417
The Hevajratantra is the most important scripture of the yoginītantra class. Shortly after its appearance around 900 CE in East India, it engendered - or promoted in a codified form - a widespread and influential cult of its eponymous deity and his retinue; its teachings became of such authority that there were hardly any esoteric Buddhist authors who could afford to ignore them. While the text continued the antinomian tradition set out in the Guhyasamājatantra and the Sarvabuddhasamāyogaḍākinījālaśaṃvara, it also introduced a number of innovations - most importantly the doctrine of the four blisses - and it is noted for skillfully blending the world of tantric ritual practice and non-esoteric Mahāyāna doctrine. Compared to the other emblematic yoginītantra, the Herukābhidhāna, the Hevajratantra can be said to contain much more theological and philosophical material, showing a confident grounding in the Buddhist world. (Source: Brill's Encyclopedia of Buddhism: Literature and Languages, edited by Jonathan A. Silk, Oskar von Hinüber, and Vincent Eltschinger, 334. Leiden: Brill, 2015.)
Text
RKTSG 51
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra discusses luminosity and awareness.
Text
RKTSG 55
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra has six chapters and discusses awareness and luminosity.
Text
RKTSG 56
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra explains the different manners in which empirical experiences appear from the ground reality or luminous awareness, also called the youthful vase body.
Text
RKTSG 58
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra explains how the myriad phenomenological world arises from luminosity or Buddha-Nature.
Text
RKTSG 57
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra explains how Buddha-Nature abides at the heart of a person, in the midst of five coloured lights, like 'a vase body' along with the peaceful deities, from which pristine wisdom shines forth to the crown where the wrathful deities abide.

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Commentaries

Text
Tāranātha: The Scriptural Citations for the Ornament of Madhyamaka of Other-Emptiness
A supplement to Tāranātha's Ornament of Madhyamaka of Other-Emptiness (Gzhan stong dbu ma'i brgyan) that focuses on the scriptural sources of the other-emptiness philosophy. The scriptural citations and reference which were barely mentioned or referred to in the Ornament of Madhyamaka of Other-Emptiness are quoted in full to substantiate the claims of the proponents of Other-Emptiness.
Text
Layakpa Jangchub Ngödrup: Ornament Illuminating the Essence: A Commentary on the Famous Text, the Four Dharmas of the Incomparable Dakpo
A detailed commentary on Gampopa's Four Dharmas (chos bzhi) instruction for fundamental Buddhist practice. The root verses containing the four dharma of Gampopa were written by his learned student from Laya, Jangchub Ngödup exactly according to how Gampopa taught, and the extensive commentary containing a rich array of citations and arguments was authored by Jangchub Ngödup himself. The topic four dharmas of Gampopa refers to the four points of making dharma practice a genuine dharma practice, making dharma progress on the path, dispelling confusion on the path, and see confusion as pristine wisdom.
Text
Chöying Tobden Dorje: Treasury of Precious Sūtras and Tantras
In 1838, Choying Tobden Dorje, a Buddhist yogi-scholar of eastern Tibet, completed a multivolume masterwork that traces the entire path of the Nyingma tradition of Tibetan Buddhism from beginning to end. Written by a lay practitioner for laypeople, it was intended to be accessible, informative, inspirational, and above all, practical. Its twenty-five books, or topical divisions, offer a comprehensive and detailed view of the Buddhist path according to the early translation school of Tibetan Buddhism, spanning the vast range of Buddhist teachings from the initial steps to the highest esoteric teachings of great perfection. (Source: Shambhala Publications)
Text
Eighth Karmapa Mikyö Dorje: Chariot of the Siddhas of the Dakpo Lineage: The Oral Instructions of Glorious Dusum Khyenpa, an Extensive Commentary on the Madhyamakāvatāra
The Eighth Karmapa's commentary on Candrakīrti's Madhyamakāvatāra (Entry into the Middle Way), presented as the oral instructions of the First Karmapa, Dusum Khyenpa. This extensive commentary covers the transmission of the teachings of Middle Way to Tibet, polemical discussions on the difference between Middle Way in sūtra and mantra traditions and the proper commentary on the root verses. The author also comments on Candrakīrti's interpretation of buddha-nature teachings as provisional.
Text
Ngok Lotsāwa Loden Sherab: Epistle: A Drop of Nectar
Instruction by Ngok Lotsāwa Loden Sherab written as a letter of advice on Buddhist practice framed as a formal correspondence to one Gatön Sherab Drak and other monks. Ngok Lotsāwa covers many topics in his advice from thinking of death and impermanence, cultivating enthusiasm, compassion, bodhicitta, etc., following the discipline and good teacher to cultivating the crop of Buddha's qualities having moistened the seed of buddha-nature by the rain of learning coming from the cloud of one's master. He advises monks to follow the words of Nāgārjuna and understand the notion of emptiness beyond existence and non-existence.
Text
Śākya Chokden: The Wish-fulfilling Meru: A Discourse Explaining the Origination of Madhyamaka
A history of the Madhyamaka philosophy in India and Tibet written by Śākya Chokden between 1484-1490 in Lhasa with Kongtön Chökyi Gyaltsen as scribe. In this text, he defines what is a Middle Way and presents the transmission of different Middle Way thoughts.

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