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}}{{VerseVariation | }}{{VerseVariation | ||
|VariationLanguage=Tibetan | |VariationLanguage=Tibetan | ||
|VariationOriginal= | |VariationOriginal=ཇི་ལྟར་དྲི་མེད་གསེར་འབར་ལས་བྱས་ས་ཡི་ནང་དུ་ཆུད་གྱུར་གཟུགས། །<br>ཞི་དེ་རང་བཞིན་མཁས་པས་རིག་ནས་ས་དག་སེལ་བར་བྱེད་པར་ལྟར། །<br>དེ་བཞིན་ཀུན་མཁྱེན་དག་པའི་གསེར་འདྲ་ཞི་བའི་ཡིད་ནི་མཁྱེན་གྱུར་ནས། །<br>ཆོས་འཆད་ཚུལ་གྱིས་བརྡེག་སྤྱད་སྒྲུབ་པས་སྒྲིབ་པ་དག་ནི་སེལ་བར་མཛད། ། | ||
|VariationOriginalSource=[https://adarsha.dharma-treasure.org/kdbs/degetengyur/pbs/2381002 Dege, PHI, 120] | |VariationOriginalSource=[https://adarsha.dharma-treasure.org/kdbs/degetengyur/pbs/2381002 Dege, PHI, 120] | ||
|VariationTrans=Just as an image made of stainless shining gold enclosed in clay would settle<br>And a skillful jeweler, knowing about this [gold], would remove the clay,<br>So the omniscient one sees that the mind, which resembles pure gold, is settled<br>And removes its obscurations by way of the strokes that are the means of teaching the dharma. | |VariationTrans=Just as an image made of stainless shining gold enclosed in clay would settle<br>And a skillful jeweler, knowing about this [gold], would remove the clay,<br>So the omniscient one sees that the mind, which resembles pure gold, is settled<br>And removes its obscurations by way of the strokes that are the means of teaching the dharma. | ||
|VariationTransSource=[[When the Clouds Part]], [[Brunnhölzl, K.|Brunnhölzl]], 399 <ref>[[Brunnhölzl, Karl]]. [[When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra]]. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.</ref> | |VariationTransSource=[[When the Clouds Part]], [[Brunnhölzl, K.|Brunnhölzl]], 399 <ref>[[Brunnhölzl, Karl]]. [[When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra]]. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.</ref> | ||
}}{{VerseVariation | |||
|VariationLanguage=Chinese | |||
|VariationOriginal=離垢明淨像 在於穢泥中 <br> | |||
鑄師知無熱 然後去泥障 <br> | |||
如來亦如是 見眾生佛性 <br> | |||
儼然處煩惱 如像在摸中 <br> | |||
能以巧方便 善用說法椎 <br> | |||
打破煩惱摸 顯發如來藏 | |||
|VariationOriginalSource=http://cbetaonline.dila.edu.tw/en/T31n1611_p0816a13 | |||
}} | }} | ||
|EnglishCommentary=[In the ninth example,] the '''afflictions''' are like a clay mold, while the tathāgata element resembles a '''golden image'''. | |EnglishCommentary=[In the ninth example,] the '''afflictions''' are like a clay mold, while the tathāgata element resembles a '''golden image'''. | ||
Latest revision as of 11:25, 18 August 2020
Ratnagotravibhāga Root Verse I.126
Verse I.126 Variations
यद्वन्निर्मलदीप्तकाञ्चनमयं बिम्बं मृदन्तर्गतं
स्याच्छान्त तदवेत्य रत्नकुशलः संचोदयेन्मृत्तिकाम्
तद्वच्छान्तमवेत्य शुद्धकनकप्रख्यं मनः सर्ववि-
द्धर्माख्याननयप्रहारविधितः संचोदयत्यावृतिम्
स्याच्छान्त तदवेत्य रत्नकुशलः संचोदयेन्मृत्तिकाम्
तद्वच्छान्तमवेत्य शुद्धकनकप्रख्यं मनः सर्ववि-
द्धर्माख्याननयप्रहारविधितः संचोदयत्यावृतिम्
yadvannirmaladīptakāñcanamayaṃ bimbaṃ mṛdantargataṃ
syācchānta tadavetya ratnakuśalaḥ saṃcodayenmṛttikām
tadvacchāntamavetya śuddhakanakaprakhyaṃ manaḥ sarvavi-
ddharmākhyānanayaprahāravidhitaḥ saṃcodayatyāvṛtim
syācchānta tadavetya ratnakuśalaḥ saṃcodayenmṛttikām
tadvacchāntamavetya śuddhakanakaprakhyaṃ manaḥ sarvavi-
ddharmākhyānanayaprahāravidhitaḥ saṃcodayatyāvṛtim
E. H. Johnston as input by the University of the West.[1]
ཇི་ལྟར་དྲི་མེད་གསེར་འབར་ལས་བྱས་ས་ཡི་ནང་དུ་ཆུད་གྱུར་གཟུགས། །
ཞི་དེ་རང་བཞིན་མཁས་པས་རིག་ནས་ས་དག་སེལ་བར་བྱེད་པར་ལྟར། །
དེ་བཞིན་ཀུན་མཁྱེན་དག་པའི་གསེར་འདྲ་ཞི་བའི་ཡིད་ནི་མཁྱེན་གྱུར་ནས། །
ཆོས་འཆད་ཚུལ་གྱིས་བརྡེག་སྤྱད་སྒྲུབ་པས་སྒྲིབ་པ་དག་ནི་སེལ་བར་མཛད། །
ཞི་དེ་རང་བཞིན་མཁས་པས་རིག་ནས་ས་དག་སེལ་བར་བྱེད་པར་ལྟར། །
དེ་བཞིན་ཀུན་མཁྱེན་དག་པའི་གསེར་འདྲ་ཞི་བའི་ཡིད་ནི་མཁྱེན་གྱུར་ནས། །
ཆོས་འཆད་ཚུལ་གྱིས་བརྡེག་སྤྱད་སྒྲུབ་པས་སྒྲིབ་པ་དག་ནི་སེལ་བར་མཛད། །
Just as an image made of stainless shining gold enclosed in clay would settle
And a skillful jeweler, knowing about this [gold], would remove the clay,
So the omniscient one sees that the mind, which resembles pure gold, is settled
And removes its obscurations by way of the strokes that are the means of teaching the dharma.
And a skillful jeweler, knowing about this [gold], would remove the clay,
So the omniscient one sees that the mind, which resembles pure gold, is settled
And removes its obscurations by way of the strokes that are the means of teaching the dharma.
離垢明淨像 在於穢泥中
鑄師知無熱 然後去泥障
如來亦如是 見眾生佛性
儼然處煩惱 如像在摸中
能以巧方便 善用說法椎
打破煩惱摸 顯發如來藏
Au fait de la vraie nature de la forme en or, brillante et pure,
Confinée dans l’argile refroidie, l’orfèvre l’en dégage. De même, les omniscients, qui connaissent l’or pur de l’esprit apaisé, Enseignent-ils le Dharma pour faire disparaître les voiles en frappant « là où il faut ».
Charrier, Christian and Patrick Carré. Traité de la Continuité suprême du Grand Véhicule. Plazac: Éditions Padmakara, 2019.
RGVV Commentary on Verse I.126
Tibetan
English
Sanskrit
Chinese
Full Tibetan Commentary
Full English Commentary
Full Sanskrit Commentary
Full Chinese Commentary
།ཉོན་མོངས་པ་ནི་སའི་འདམ་གོས་པ་དང་འདྲ་ལ། དེ་བཞིན་གཤེགས་པའི་ཁམས་ནི་གསེར་གྱི་གཟུགས་བཞིན་ཏེ། ཇི་ལྟར་ནང་གི་གསེར་ཞུན་གཟུགས་རྒྱས་པ། །ཞི་བ་ཕྱི་རོལ་ས་
ཡི་རང་བཞིན་ཅན། །མཐོང་ནས་དེ་ཤེས་པ་དག་ནང་གི་གསེར། །སྦྱང་ཕྱིར་ཕྱི་རོལ་སྒྲིབ་པ་སེལ་བྱེད་ལྟར། །རང་བཞིན་འོད་གསལ་དྲི་མ་རྣམས་ཀྱང་ནི། །གློ་བུར་བར་ནི་རྣམ་པར་གཟིགས་གྱུར་ནས། །རིན་ཆེན་འབྱུང་གནས་ལྟ་བུའི་འགྲོ་བ་རྣམས། །སྒྲིབ་པ་དག་ལས་སྦྱོང་མཛད་བྱང་ཆུབ་{br}མཆོག །ཇི་ལྟར་དྲི་མེད་གསེར་འབར་ལས་བྱས་ས་ཡི་ནང་དུ་ཆུད་གྱུར་གཟུགས། །ཞི་དེ་རང་བཞིན་མཁས་པས་རིག་ནས་ས་དག་སེལ་བར་བྱེད་པ་ལྟར། །དེ་བཞིན་ཀུན་མཁྱེན་དག་པའི་གསེར་འདྲ་ཞི་བའི་ཡིད་ནི་མཁྱེན་གྱུར་ནས། །ཆོས་འཆད་ཚུལ་གྱིས་བརྡེག་སྤྱད་བསྒྲུབས་པས་སྒྲིབ་པ་དག་ནི་{br}སེལ་བར་མཛད།
Other English translations
Obermiller (1931) [6]
- Ju s t as a statue wrought of pure, shining gold and covered by earth
- Is seen by one who, knowing its true nature, removes the earth,一
- In the same way the Omniscient perceives
- The quiescent Spirit which is like gold,
- And, by teaching the Doctrine, produces a cisel
- Through which he removes all the Obscurations.
- The meaning of all these examples is in short as follows:一
Takasaki (1966) [7]
- Just as a statue made of pure, shining gold
- Would become cool within the earthen covering,
- And, knowing this, a skillful jewel-maker would remove the clay;
- In the same way the Omniscient perceives that
- The Mind, which is like pure gold, is quiescent,
- And, by means of a stroke [called] the method of teaching the Doctrine
- He removes the obscurations.
Fuchs (2000) [8]
- Recognizing the nature of an image of peaceful appearance,
- flawless and made from shimmering gold,
- while it is [still] contained in its mold, an expert removes the layers of clay.
- Likewise the omniscient know the peaceful mind, which is similar to pure gold,
- and remove the obscurations by teaching the Dharma, [just as the mold] is struck and chipped away.
Textual sources
Commentaries on this verse
Academic notes
- Digital Sanskrit Buddhist Canon Unicode Input
- Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.
- Skt. śāntam, DP zhi ba. This means that the molten gold has cooled down and has become solid.
- With Schmithausen, I follow MA saṃchedayed (corresponding to DP sell bar byed) against J saṃcodayed (the same goes for saṃchedayen and saṃchedayaty against saṃcodayen and saṃcodayaty in I.126).
- I follow MA/MB prahāravidhibhiḥ against J prahāravidhitaḥ. "Strokes to the strokes with a chisel or hammer (DP bridge spayed) to remove the clay mold from the golden statue inside.
- Obermiller, E. "The Sublime Science of the Great Vehicle to Salvation Being a Manual of Buddhist Monism." Acta Orientalia IX (1931), pp. 81-306.
- Takasaki, Jikido. A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism. Serie Orientale Roma 33. Roma: Istituto Italiano per il Medio ed Estremo Oriente (ISMEO), 1966.
- Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. Commentary by Jamgon Kongtrul and explanations by Khenpo Tsultrim Gyamtso. Ithaca, N. Y.: Snow Lion Publications, 2000.
