The doctrine of buddha-nature in Chinese Buddhism

From Buddha-Nature
Topic: The doctrine of buddha-nature in Chinese Buddhism

Books

Book
An English Translation of Fa-Tsang's Commentary on the Awakening of Faith
A translation of one of the most important commentaries on the Awakening of Faith.
Vorenkamp, Dirck, trans. An English Translation of Fa-Tsang's Commentary on the Awakening of Faith. Studies in Asian Thought and Religion 28. Lewiston, NY: Edwin Mellen Press, 2004.
Book
Buddhism: One Teacher, Many Traditions (14th Dalai Lama and Chodron 2014)
In Buddhism, His Holiness the Dalai Lama and American Buddhist nun Thubten Chodron map out with clarity the convergences and the divergences between the two major strains of Buddhism—the Sanskrit traditions of Tibet and East Asia and the Pali traditions of Sri Lanka and Southeast Asia.
Dalai Lama, 14th, and Thubten Chodron. Buddhism: One Teacher, Many Traditions. Somerville, MA: Wisdom Publications, 2014.
Book
Buddhist Cosmic Unity
The Anūnatvāpūrṇatvanirdeśaparivart is a short Mahāyāna sūtra extant in its entirety only in Chinese translation. To judge from its use as a proof-text in the seminal philosophical treatise Ratnagotravibhāga, which quotes roughly half of the sūtra, it is a fundamental scripture expressing ideas about the unitary nature of saṁsāra and nirvāṇa, and each individual’s innate capacity for awakening, called in this text and elsewhere ‘tathāgatagarbha,’ ‘embryo of the tathāgatas.’
      Although the text has hitherto drawn the attention primarily of Japanese scholars, this is the first critical edition of the sūtra, aligning its Chinese text with the available Sanskrit, offering a richly annotated English translation, a detailed introduction which places the work in its historical and doctrinal context, and a number of appendices exploring key notions, providing a reading text shorn of annotation, and enumerating the prolific quotations of the work found in Chinese Buddhist literature. This volume is thus an important contribution to studies of developing Mahāyāna Buddhism, Buddhist doctrine and the textual history of scriptures.
(Source: Hamburg University Press)
Silk, Jonathan, A. Buddhist Cosmic Unity: An Edition, Translation and Study of the Anūnatvāpūrṇatvanirdeśaparivarta. Hamburg Buddhist Studies Series 4. Hamburg: Hamburg University Press, 2015. https://hup.sub.uni-hamburg.de/volltexte/2015/154/pdf/HamburgUP_HBS4_Silk_Unity.pdf.
Book
Coming to Terms with Chinese Buddhism
The issue of sinification—the manner and extent to which Buddhism and Chinese culture were transformed through their mutual encounter and dialogue—has dominated the study of Chinese Buddhism for much of the past century. Robert Sharf opens this important and far-reaching book by raising a host of historical and hermeneutical problems with the encounter paradigm and the master narrative on which it is based. Coming to Terms with Chinese Buddhism is, among other things, an extended reflection on the theoretical foundations and conceptual categories that undergird the study of medieval Chinese Buddhism.

Sharf draws his argument in part from a meticulous historical, philological, and philosophical analysis of the Treasure Store Treatise (Pao-tsang lun), an eighth-century Buddho-Taoist work apocryphally attributed to the fifth-century master Seng-chao (374–414). In the process of coming to terms with this recondite text, Sharf ventures into all manner of subjects bearing on our understanding of medieval Chinese Buddhism, from the evolution of T’ang “gentry Taoism” to the pivotal role of image veneration and the problematic status of Chinese Tantra.

The volume includes a complete annotated translation of the Treasure Store Treatise, accompanied by the detailed exegesis of dozens of key terms and concepts. (Source: University of Hawai'i Press)
Sharf, Robert, trans. Coming to Terms with Chinese Buddhism: A Reading of the Treasure Store Treatise. Kuroda Studies in East Asian Buddhism 14. Honolulu: University of Hawai'i Press, 2002. https://archive.org/details/comingtotermswithchinesebuddhismareadingofthetreasurestoretreatiserobertsharfh._635_q/mode/2up.
Book
Dasheng qixin lun yu foxue Zhongguohua
Cultural and doctrinal study of the Awakening of Faith's distinctive concepts as products of the larger indigenization of Buddhism in China, and of the influence of the text on later Chinese Buddhist and Confucian thought and modern Chinese thought, including New Confucianism. Reprint of author’s 1993 Wuhan University doctoral dissertation. (Source Accessed July 3, 2020)
Gong, Jun. Dasheng qixin lun yu foxue Zhongguohua (The Mahāyāna Awakening of Faith and the Sinification of Buddhism). Taipei: Wenjin, 1995.
Book
Early Ch'an in China and Tibet
Ch'an (Zen) Buddhism was popularized in the West by writers such as D.T. Suzuki and Alan Watts as a kind of 'romantic abstraction' outside of history. The papers in this volume, originally presented at a unique conference sponsored by U.C. Berkeley and the San Francisco Zen Center, go a long way

towards revealing the complex historical development of Ch'an theory and practice both in China and Tibet.
      The papers on China reveal Ch' an not as a single line of transmission from Bodhidharma, but as a complex of contending and even hostile factions. Furthermore, the view which sees Ch'an as the sinicization of Buddhism through Taoism is questioned through an examination of the Taoism that was actually prevalent during the establishment of Ch' an in China.
      The papers on Tibet take us to the heart of the controversies surrounding the origins of Buddhism in that country, based on exciting research into the Tunhuang materials, the indigenous rDzogs-chen system, and the 'Sudden vs. Gradual Enlightenment' controversy.
      Of particular note in this volume is the inclusion of several translations of papers by noted Japanese scholars who have led the way in this type of research,

made available to the Western reader for the first time. (Source: inside jacket)
Lai, Whalen, and Lewis R. Lancaster, eds. Early Ch’an in China and Tibet. Berkeley Buddhist Studies Series 5. Berkeley, CA: Asian Humanities Press, 1983.
Book
Mahāyāna Buddhism: The Doctrinal Foundations
Originating in India, Mahayana Buddhism spread across Asia, becoming the prevalent form of Buddhism in Tibet and East Asia. Over the last twenty-five years Western interest in Mahayana has increased considerably, reflected both in the quantity of scholarly material produced and in the attraction of Westerners towards Tibetan Buddhism and Zen. Paul Williams’ Mahayana Buddhism is widely regarded as the standard introduction to the field, used internationally for teaching and research and has been translated into several European and Asian languages. This new edition has been fully revised throughout in the light of the wealth of new studies and focuses on the religion’s diversity and richness. It includes much more material on China and Japan, with appropriate reference to Nepal, and for students who wish to carry their study further there is a much-expanded bibliography and extensive footnotes and cross-referencing. Everyone studying this important tradition will find Williams’ book the ideal companion to their studies. (Source: Routledge)
Williams, Paul. Mahayana Buddhism: The Doctrinal Foundations. 2nd ed. The Library of Religious Beliefs and Practices. New York: Routledge, 2009. https://archive.org/details/mahayanabuddhismthedoctrinalfoundationspaulwilliamsroutledgeseealtruismandreality_202003_445_W/mode/2up.
Book
Manifestation of the Tathāgata
What does it mean to be a Buddha? This new translation of the "Manifestation of the Tathāgata" chapter from the Avataṃsaka Sūtra, considered the most profound and comprehensive Buddhist scripture, offers the reader a rare glimpse of the sublime realm of Buddhahood in language that is rich in meaning and in captive imagery.
      Venerable Cheng Chien lucidly introduces the reader to the meaning of Buddhahood and explains the origin, transmission, and special features of the Avataṃsaka Sūtra. He presents us with an understanding of the stature of the "Manifestation of the Tathāgata" chapter in the context of the entire sūtra, as well as its relation to other scholastic texts. (Source Accessed Nov 23, 2020)
Chien, Cheng (Mario Poceski), trans. Manifestation of the Tathāgata: Buddhahood according to the Avataṃsaka Sūtra. Boston: Wisdom Publications, 1993.
Book
Nyoraizō to Busshō
This book is part of a 10-volume "Series on Mahayana Buddhism" published between 2011 and 2014. The series consists of the contributions of over seventy authors from Japan and other countries. Mahayana Buddhism is an ideological movement that came into existence in the early years of the first millennium CE through the inheritance of the teachings of Buddhism as developed by the Buddha in India in the fifth century BCE, as well as through the development of new sutras both during and since that time. Throughout the following several hundred years, Mahayana Buddhism played a major role in deepening the development of Buddhist thought, particularly regarding epistemology and ontology. Tathāgatagarbha and Buddha nature, the themes of this book, are ideas developed in the final stages of Mahayana Buddhism, which had a significant effect on the formation of Buddhist thought in East Asia and Tibet. Especially in China, Mahayana Buddhism has received attention for both merging with the philosophy of Huayan Buddhism and for affecting the theoretical form of Neo-Confucianism, as well as for providing theoretical support for the leaders of the Xinhai Revolution.
      Tathāgatagarbha and Buddha nature are technical terms that indicate the existence of the true nature of the Buddha or Tathāgata who has attained enlightenment through totally unclouded insight (prajñā), within all living things, though these living things may be covered with the impurity of worldly desire and be seemingly incapable of attaining enlightenment. In essence, these terms refer to the fact that the Buddha or Tathāgata resides within the nature of all living things. The notions of Tathāgatagarbha and Buddha nature make assertions about the nature of enlightenment or salvation for living things still trapped in an unenlightened condition of suffering. They do so from the ideological position of those Tathāgatas or Buddhas who have already realized truth and been released from suffering and unenlightenment. These ideas are expressed as a kind of theodicy and soteriology, as they deal with the challenge of how super-temporal, absolute truth appears at a historical or personal level. Ideas that originate in the mature period of the history of an ideology produce higher-level notions that allow concepts born in various contexts in the previous history of the ideology to coexist. The ideas of Tathāgatagarbha and Buddha nature, which point to the Tathāgata or Buddha that dwells within all living things, encompass both all living things and Tathāgata, and so exist at a higher conceptual level than either.
      There are two foundations of the ideas of Tathāgatagarbha and Buddha nature, which simultaneously problematize both unenlightenment and enlightenment: the features of soteriology in general religious thought, and the view of truth that is unique to Buddhism. Soteriology, as conceived of in general religious thought, considers the world in a dualistic fashion, as being split into the world of humanity and the world of gods, the world of suffering and the world of liberation, the endless cycle of life and death (samsara) and supreme enlightenment (nirvana). On the one hand is a relative, limited, and impermanent world, and on the other an absolute, infinite, and eternal world. The movement from the former aspect to the latter is not ceaseless but, rather, requires a change in the dimension of our existence, such as religious conversion or enlightenment. The experience of the individual transforms the aspect of the world, which formerly appeared as a single layer, thus exposing its mysterious and unseen facets. In contrast to many religions, which end their exposition at this point, Mahayana Buddhism takes the appearance of this duality itself as a subjective experience and seeks to reach the point at which both aspects ultimately become indistinguishable. The scenery of this world as seen from the world of libreration, worldly desire purified by enlightenment, Samsara illuminated by nirvana are all accepted as they are, without the necessity of any negation or denial. The duality of the world is therefore overcome, and a higher-level equality emerges that still acknowledges individual differences. (Source Accessed June 29, 2020)
Shimoda, Masahiro, ed. Nyoraizō to Busshō (Tathāgatagarbha and Buddha Nature). Vol. 8 of Shirīzu Daijō Bukkyō (Series on Mahāyāna Buddhism). Tokyo: Shunjūsha, 2014.
Book
Nyoraizō to Daijō kishinron
Voluminous anthology of articles by eminent scholars about the Awakening of Faith's reception and influence among numerous major Chinese, Korean, and Japanese Buddhist figures and among modern scholars, doctrines of buddha-nature and tathāgata-garbha (womb of buddhas), textual borrowings, and its relationship to the Dilun school, from which many scholars believe it emerged. (Source Accessed July 3, 2020)
Hirakawa, Akira. Nyoraizō to Daijō kishinron. Tokyo: Shunjūsha, 1990.
Book
Sudden and Gradual
This volume examines the historical basis of the debate over sudden versus gradual approaches to enlightenment in Chinese Buddhism, seeing it as part of a recurrent polarity in Chinese history and thought. Sudden and Gradual includes essays by Luis O. Gómez on the philosophical implications of the debate in China and Tibet, Whalen Lai on Taodheng's theory of sudden enlightenment, Neal Donner on Chih-i's system of T'ien-t'ai, John R. McRae on Shen-Hui's sudden enlightenment and its precedents in Northern Ch'an, and Peter N. Gregory on Tsung-mi's theory of sudden enlightenment. (Source: Motilal Banarsidass)
Gregory, Peter N., ed. Sudden and Gradual: Approaches to Enlightenment in Chinese Thought. Buddhist Tradition Series 16. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press. https://terebess.hu/zen/Sudden-and-Gradual-Enlightenment.pdf.
Book
Sun-Face Buddha
A translation of the primary materials on the life and teachings of Ma-Tsu (709-788), the successor to the great sixth patriarch and the greatest Ch'an master in history, Hui-Neng (638-713). The book should be invaluable to all who wish to study the development of the Zen thought and philosophy over the course of history. (Source: Jain Publishing)
Chien, Cheng (Mario Poceski), trans. Sun-Face Buddha: The Teachings of Ma-tsu and the Hung-chou School of Ch'an. Berkeley, CA: Asian Humanities Press, 1993. https://terebess.hu/zen/SunFace.pdf.
Book
The Awakening of Faith in the Mahayana Doctrine
(From the translator's introduction, v–vi)

This is the title of one of the most important books in the world. A Japanese scholar has translated it The Awakening of Faith. It might also be rendered The Mahayana Faith or The Faith of the New Buddhism. Its importance is apparent when we consider the fact that of the 26,000 Buddhist monks and nuns in Japan no less than 17,000 of them belong to the Pure Land School and the True School, which regard this book as their fountain and origin.
      Its importance is still more apparent when we consider that its doctrines are the fundamental ones of the Mahayana Faith, which is by far the chief school of Buddhism, not only in Japan, but also in China, where are the great majority of the Buddhists of the world. If we estimate the value of books by the number of adherents to their doctrines, then, after the Bible, the Koran, the Confucian Classics, and the Vedas, this volume, about the size of the Gospel of Mark, ranks next, or fifth, among the sacred books of the world.
      The great value of the book is also apparent when we remember that the Eastern world had been driven to general despair by the atheistic doctrines of primitive Buddhism, called the Hinayana School, and that it was by the doctrines of this book, which gave rise to the Mahayana School of New Buddhism, that a gospel of great hope was preached to the greater part of the Eastern Asiatic continent. Its new doctrines were that of the One Soul immanent for good in all the universe, that of a Divine Helper of men, of individual immortality and growth in the likeness of God, of the importance of faith in God to produce good works and that of the willingness of the best spirits to make sacrifices to save others—the very subjects which in these modern days still occupy the attention of the most thoughtful men of the world. The book is Brahministic and Buddhistic, Indian and Western in some aspects of philosophic thought. It is profoundly philosophic, reminding one strongly of Hegel, Berkeley and G. Gore in the earlier part, and is as hard to understand as Bishop Butler's famous Analogy; yet very practical in the latter part, therefore it has great importance arising from its high and extensive range of view.
      If it be, as it is more and more believed that the Mahayana Faith is not Buddhism, properly so-called, but an Asiatic form of the same Gospel of our Lord and Saviour Jesus Christ, in Buddhistic nomenclature, differing from the old Buddhism just as the new Testament differs from the old, then it commands a world-wide interest, for in it we find an adaptation of Christianity to ancient thought in Asia, and the deepest bond of union between the different races of the East and the West, viz., the bond of a common religion. Both Christianity and the New Buddhism hold to the transcendent and the immanent forms of God; but the East emphasises more of the immanent form while the West emphasises more of the transcendent. The almost universal reception of the

doctrines contained in this book by both the East and the West constitutes to my mind its highest claim to our attention; for thereby we are brought face to face with a solution of the stupendous practical problem of uniting all races in one bond of religious charity!
Richard, Timothy, and Yang Wenhui, trans. The Awakening of Faith in the Mahayana Doctrine: The New Buddhism. By the Patriarch Ashvagosha. Translated into Chinese by Paramārtha. Shanghai: Christian Literature Society, 1907. https://archive.org/details/cu31924022892198/mode/2up.
Book
The Buddha Nature: A Study of the Tathāgatagarbha and Ālayavijñāna
One of the fundamental tenets of Mahayana Buddhism animating and grounding the doctrine and discipline of its spiritual path, is the inherent potentiality of all animate beings to attain the supreme and perfect enlightenment of Buddhahood. This book examines the ontological presuppositions and the corresponding soteriological-epistemological principles that sustain and define such a theory. Within the field of Buddhist studies, such a work provides a comprehensive context in which to interpret the influence and major insights of the various Buddhist schools. Thus, the dynamics of the Buddha Nature, though non-thematic and implicit, is at the heart of Zen praxis, while it is a significant articulation in Kegon, Tendai, and Shingon thought. More specifically, the book seeks to establish a coherent metaphysics of absolute suchness (Tathatā), synthesizing the variant traditions of the Tathagata-embryo (Tathāgatagarbha) and the Storehouse Consciousness (Ālayavijñāna).



The book's contribution to the broader field of the History of Religions rests in its presentation and analysis of the Buddhist Enlightenment as the salvific-transformational moment in which Tathatā 'awakens' to itself, comes to perfect self-realization as the Absolute suchness of reality, in and through phenomenal human consciousness. The book is an interpretation of the Buddhist Path as the spontaneous self-emergence of 'embryonic' absolute knowledge as it comes to free itself from the concealments of adventitious defilements, and possess itself in fully self-explicitated self-consciousness as the 'Highest Truth' and unconditional nature of all existence; it does so only in the form of omniscient wisdom. (Source: Book jacket inside cover)
Brown, Brian Edward. The Buddha Nature: A Study of the Tathāgatagarbha and Ālayavijñāna. Buddhist Tradition Series 11. Delhi: Motilal Banarsidass, 1991. https://archive.org/details/tathagatgarbhabuddhanatureastudyofthetathagatagarbhaandalayavijnanabrianedwardbr/mode/2up.
Book
The Nirvana Sutra Volume I
Taishō 374

Volume 12

The Nirvana Sutra deals with the teachings given by Śākyamuni shortly before his death (mahāparinirvāṇa). Nirvāṇa means "extinguishing the flames of passion and attaining the state of enlightenment." Since Śākyamuni attained enlightenment at the age of 35, he did in fact already enter nirvāṇa at this time. But because it was considered impossible to completely extinguish the passions while retaining a physical body, Śākyamuni’s death came to be called mahāparinirvāṇa, i.e. "the state of great serenity in which the flames of passion have been completely extinguished." The sūtra gives the teachings expounded by Śākyamuni immediately before his death. As it contains episodes relating to events before and after his death, it also has value as historical source material.

Source

Skt. Mahāyāna Mahāparinirvāṇa-sūtra, translated into the Chinese by Dharmakṣema as Da banniepan jing (大般涅槃經). 40 fascicles. (Source: BDK America)
Blum, Mark L., trans. The Nirvana Sutra (Mahāparinirvāṇa-Sūtra). Vol. 1. BDK English Tripiṭaka Series. Moraga, CA: BDK America, 2015. https://bdkamerica.org/product/the-nirvana-sutra-vol-i/.
Book
The Platform Sutra (Red Pine)
A Zen Buddhist masterpiece, winner of the 2018 Thornton Wilder Prize for Translation. The Platform Sutra occupies a central place in Zen (Ch’an) Buddhist instruction for students and spiritual seekers worldwide.

It is often linked with The Heart Sutra and The Diamond Sutra to form a trio of texts that have been revered and studied for centuries. However, unlike the other sutras, which transcribe the teachings of the Buddha himself, The Platform Sutra presents the autobiography of Hui–neng, the controversial 6th Patriarch of Zen, and his understanding of the fundamentals of a spiritual and practical life. Hui–neng's instruction still matters—the 7th–century school of Sudden Awakening that he founded survives today, continuing to influence the Rinzai and Soto schools of contemporary Zen.

Red Pine, whose translations of The Heart Sutra and The Diamond Sutra have been celebrated and widely received, now provides a sensitive and assured treatment of the third and final sutra of the classic triumvirate. He adds remarkable commentary to a translation that, combined with the full Chinese text, a glossary, and notes, results in a Mahayana masterpiece sure to become the standard edition for students and seekers alike. (Source: Counterpoint Press)
Red Pine (Bill Porter), trans. The Platform Sutra: The Zen Teaching of Hui-neng. Berkeley, CA: Counterpoint, 2006.
Book
The Platform Sutra of the Sixth Patriarch (McRae)
Taishō 2008

Volume 48

The Platform Sutra of the Sixth Patriarch consists of a record of the teachings of Hui-neng, the Sixth Patriarch of the Chan School in China, recorded by his disciple Fahai, and is known by several abbreviated titles such as Platform Sūtra or Platform Sūtra of the Dharma Treasure. It proclaims the independence of the Southern School of Chan from the Northern School on such subjects as "sudden enlightenment" (Ch. dun-wu) and the external expression of one's real nature (Ch. jian-xing).

Source

Ch. Liuzu dashi fabao tan jing (六祖大師法寶壇經), Compiled in the Chinese by Zong-bao, as recorded by Fa-hai et al. 1 fascicle. (Source: BDK America)
McRae, John R., trans. The Platform Sutra of the Sixth Patriarch. Translated from the Chinese of Zongbao (Taishō Volume 48, Number 2008). BDK English Tripiṭaka Series, vol. 73, no. 2. Berkeley, CA: Numata Center for Buddhist Translation and Research, 2000. https://bdkamerica.org/product/the-platform-sutra-of-the-sixth-patriarch/.
Book
The Platform Sutra of the Sixth Patriarch (Yampolsky)
The Platform Sutra records the teachings of Hui-neng, the Sixth Patriarch, who is revered as one of the two great figures in the founding of Ch'an (Zen) Buddhism. This translation is the definitive English version of the eighth-century Ch'an classic.

Phillip B. Yampolsky has based his translation on the Tun-huang manuscript, the earliest extant version of the work. A critical edition of the Chinese text is given at the end of the volume.

Dr. Yampolsky also furnishes a lengthy and detailed historical introduction which contains much information hitherto unavailable even to scholars, and provides the context essential to an understanding of Hui-neng's work. He gives an account of the history and legends of Ch'an Buddhism, with particular attention to the traditions associated with Hui-neng, quoting or summarizing the most important narratives. He then discusses the various texts of the Platform Sutra, and analyzes its contents. (Source: Columbia University Press)
Yampolsky, Philip B., trans. The Platform Sutra of the Sixth Patriarch: The Text of the Tun-huang Manuscript. Records of Civilization: Sources and Studies 76. New York: Columbia University Press, 1967.
Book
Three Contemplations toward Buddha Nature
This book presents the three most renowned genres of contemplation in Mahayana Ch’an Buddhism. They are: Kong-an, Hua-to, and the Seven Enquiries about the Mind.

As for Kong-an, the subject matter employed here are all concerning Master Bodhidharma, the first Patriarch of Chinese Ch’an Buddhism and the 28th Patriarch of in India. These three Kong-ans are:

1. The Mind is Nowhere to be found
2. The Patriarch’s Quatrain for advanced practice
3. Bodhidharma’s Skin, Flesh, Bones, and Marrow

After reading these, you would have a pretty clear picture about Kong-an and how to make contemplation on it, as well as about the over-all quintessence of fountainhead of Ch’an Buddhism.

The second renowned genre of contemplation in Ch’an Buddhism is Hua-to. Hua-to is, as it were, a diminutive of Kong-an. Or to put it this way, Kong-an is a novel, a long story, while Hua-to is a novelette, a short story. But both of them are stories. By the same token, the Kong-an is a long contemplative material, containing a story with a complete plot––the beginning, the middle, and the denouement (ending)––for its body. Whereas the Hua-to would not have a plot; it consists only of a sentence, or a phrase. Therefore, in comparison with Kong-an, it is similar to a Kong-an in miniature, or a compressed Kong-an, for the general effect resulted in contemplating on Hua-to was supposed to be the same in contemplating on Kong-an. The instance of Hua-to scrutinized here is “Who is saying ‘Namo Amito-Fo’ (or 'Namo Amitabha Buddha')?”

The third genre of contemplation in Ch’an Buddhism is one based on the Text of the Sutras. And under this rubric, the one cited and examined here is just a very prestigious one, if not the most renowned; it is called “The Seven Inquiries to locate the Mind,” from The Surangama Sutra. With the knowledge and skills built up in learning to contemplate on the first two genres, the Kong-an and Hua-to, one would then be able to go on to learn and practice the contemplation of this genre. And having learned about the three genres of contemplation presented in this book, one would virtually have covered the most predominant contemplations in Ch’an Buddhism. (Source Accessed Mar 12, 2020)
Kuan, Cheng. Three Contemplations toward Buddha Nature: Lectures on Buddhism for English Meditation Class at Chuang Yen Monastery, N.Y. Vol. 2 of A Trilogy of Ch'an. 2nd ed. n.p.: Americana Buddhist Temple, 2018.
Book
Treatise on Awakening Mahāyāna Faith
Dasheng qixin lun, or Treatise on Awakening Mahāyāna Faith has been one of the most important texts of East Asian Buddhism since it first appeared in sixth-century China. It outlines the initial steps a Mahāyāna Buddhist needs to take to reach enlightenment, beginning with the conviction that the Mahāyāna path is correct and worth pursuing. The Treatise addresses many of the doctrines central to various Buddhist teachings in China between the fifth and seventh centuries, attempting to reconcile seemingly contradictory ideas in Buddhist texts introduced from India. It provided a model for later schools to harmonize teachings and sustain the idea that, despite different approaches, there was only one doctrine, or Dharma. It profoundly shaped the doctrines and practices of the major schools of Chinese Buddhism: Chan, Tiantai, Huayan, and to a lesser extent Pure Land. It quickly became a shared resource for East Asian philosophers and students of Buddhist thought. Drawing on the historical and intellectual contexts of Treatise's composition and paying sustained attention to its interpretation in early commentaries, this new annotated translation of the classic, makes its ideas available to English readers like never before. The introduction orients readers to the main topics taken up in the Treatise and gives a comprehensive historical and intellectual grounding to the text. This volume marks a major advance in studies of the Treatise, bringing to light new interpretations and themes of the text. (Source: Oxford University Press)
Jorgensen, John, Dan Lusthaus, John Makeham, and Mark Strange, eds. and trans. Treatise on Awakening Mahāyāna Faith. New York: Oxford University Press, 2019.
Book
Tsung-mi and the Sinification of Buddhism
This study of Tsung-mi is part of the Studies in East Asian Buddhism series. Author Peter Gregory makes extensive use of Japanese secondary sources, which complements his work on the complex Chinese materials that form the basis of the study. (Source: University of Hawai'i Press)
Gregory, Peter N. Tsung-mi and the Sinification of Buddhism. Kuroda Studies in East Asian Buddhism 16. Honolulu: University of Hawai'i Press, 2002. First Published 1991 by Princeton University Press.

Articles

Article
Absolute Delusion, Perfect Buddhahood—The Universal Buddha of the San-chieh-chiao
Jamie Hubbard explores some specifically Chinese materials in his contribution "Perfect Buddhahood, Absolute Delusion—The Universal Buddha of the San-chieh-chiao". [sic] The San-chieh-chiao wanted to hold together a radically pessimistic view of the capacities of human persons for religious practice with a strong assertion of a fundamental identity between living beings and Buddha. The subtle scholastic discussion by the San-chieh-chiao of how these two affirmations were to be held together focused upon the theoretical question of the relations between pure, undefiled Suchness (tathatā) and the realm of ordinary living beings—for the assertion of a fundamental identity between the two cannot be allowed to call into question the pressing apparent reality of defilements in this degenerate age. The central soteriological affirmation running through these discussions is that all beings will inevitably realize Buddhahood; the metaphysical problem is to show how this can be the case; and the practical problem is to delineate the kind of religious practice that is appropriate if it is the case. All these challenges the San-chieh-chiao attempted to meet, and it is the burden of Hubbard's careful exegesis to detail the subtle metaphysical and exegetical distinctions they constructed to do so. (Griffiths and Keenan, introduction to Buddha Nature, 4–5)
Hubbard, Jamie. "Absolute Delusion, Perfect Buddhahood—The Universal Buddha of the San-chieh-chiao." In Buddha Nature: A Festschrift in Honor of Minoru Kiyota, edited by Paul J. Griffiths and John P. Keenan, 75–94. Tokyo: Buddhist Books International, 1990.
Article
All Buddhas and All Living Beings Are Just This One Mind: Teachings of the Buddhas and Zen Ancestors on Buddha Nature, Empty Awareness, and Nonduality—Compiled by Kokyo Henkel
This is a compilation of several sources that speak about buddha-nature. These include:

Pabhassara Sutta
Kevaddha Sutta
Nibbana Sutta
Ashtasahasrika Prajnaparamita Sutra
Samdhinirmochana Sutra
Mahaparinirvana Sutra
Shrimaladevi Sutra
Tathagatagarbha Sutra
Lankavatara Sutra
Bodhidharma’s Breakthrough Sermon
Sengcan’s Song of the Trusting Mind
Hongren’s Treatise on the Supreme Vehicle
Huineng’s Platform Sutra
Yongjia’s Song of Realizing the Way
Shitou’s Record
Shitou’s Song of the Grass-Roof Hermitage
Dongshan’s Song of the Jewel Mirror Samadhi
Caoshan’s Verse
Guishan’s Record
Mazu’s Record
Baizhang’s Record
Huangbo’s Transmission of Mind
Linji’s Record
Nanquan’s Record
Changsha’s Record
Yunmen’s Record
Yuanwu’s Letters
Hongzhi’s Record
Dogen’s Treasury of the True Dharma Eye
Ejo’s Absorption in the Treasury of Light
Keizan’s Transmission of Light
32nd Ancestor Hongren
34th Ancestor Qingyuan
38th Ancestor Dongshan
40th Ancestor Dongan
46th Ancestor Tanxia
49th Ancestor Xuedou
52nd Ancestor Dogen
53rd Ancestor Ejo
Chinul’s Complete Sudden Attainment of Buddhahood
Chinul’s Secrets of Cultivating the Mind
Bassui’s One Mind
Bankei’s Record
Hakuin’s Four Cognitions
Menzan’s Self-Enjoyment Samadhi
Shunryu Suzuki’s Mind Waves (from "Zen Mind, Beginner’s Mind")
Shunryu Suzuki’s Resuming Big Mind (from "Not Always So")
Padmasambhava’s Self-Liberation through Seeing with Naked Awareness
Dakpo Tashi Namgyal’s Clarifying the Natural State
Karma Chagmey’s Union of Mahamudra and Dzogchen

Jamgon Mipham’s Lamp that Dispels Darkness
Henkel, Kokyo. "All Buddhas and All Living Beings are Just This One Mind: Teachings of the Buddhas and Zen Ancestors on Buddha Nature, Empty Awareness, and Nonduality." Unpublished manuscript. n.d., PDF file. https://kokyohenkel.weebly.com/uploads/1/2/7/4/127410773/one_mind_buddha_nature_-_kokyo.pdf.
Article
Awakening of Faith in Mahāyāna
The Awakening of Faith in Mahāyāna (Dasheng qixinlun) is one of the most influential philosophical texts in East Asian Buddhism. It is most important for developing the Indian Buddhist doctrine of an inherent potentiality for Buddhahood (tathāgatagarbha) into a monistic ontology based on the mind as the ultimate ground of all experience. Its most significant contribution to East Asian Buddhist thought is its formulation of the idea of original enlightenment (benjue, or in Japanese, hongaku). (Source Accessed Jun 3, 2020)
Gregory, Peter. "Awakening of Faith in Mahāyāna." In Vol. 2 of Routledge Encyclopedia of Philosophy, edited by Edward Craig, 603–4. London: Routledge, 1998.
Article
Buddha Nature and the Concept of Person
No abstract given. Here are the first relevant paragraphs:

Buddhism has a profound and thoroughly developed set of teachings on human being. One might well argue that the question of human being is the question par excellence with which the Buddhist tradition as a whole struggles. According to the traditional account, for example, the point of departure for the Buddha's own search, discoveries, and teachings was the dilemma of the human condition. Moreover, vast numbers of Buddhist texts speak out of or address human experience as such, consciously focusing upon it as the source of both question and answer. Nonetheless, many questions a modern Westerner asks as a matter of course about human being are not directly addressed in the Buddhist texts. There are of course important reasons for this. Our concept of and assumptions about human individuality are profoundly different from Buddhist views of the same. Our two worlds of discourse about the value and meaning of finite bodily existence, the course of history, the meaning of suffering, and the nature of possible human greatness are set up on entirely different foundations. Thus, for a contemporary Westerner to ask the question "What is a person? What is a human being?" of a Buddhist text is to set oneself up to receive an answer that does not satisfy the intent of the question. Yet, while Buddhist views and assumptions differ so markedly from our own, Buddhist texts reveal in their own way a preoccupation with the human condition as intent as that of our own hyperindividualistic, anthropocentric culture.
      With such a shared fixation, it is inevitable that persons on both sides of the cultural boundaries will attempt to gain light from the other side on this subject, despite the incommensurability of each other's questions and answers. The present essay is one such attempt: not an East-West comparison, but an effort to address a Buddhist text from the perspective of cross-cultural philosophy (still, despite the name, a thoroughly Western enterprise) . Herein I will engage in dialogue the Buddha Nature Treatise (Chinese: Fo Hsing Luna; hereafter, BNT), a text representative of the Buddha nature tradition that contains an extensive discussion of the concept of Buddha nature, a crucial component, if not the most crucial component, of the East Asian Buddhist concept of human being. I will attempt to wrest from the text answers to two categories of questions-it s view of the ontological nature of human being and its view of the existential status of human beings. In the course of the discussion I will ask such questions as: What roles do individuality and freedom play in the view of human being portrayed in this text? What value, if any, does an individual human personality possess? Is there anything of value in human history? Clearly, the text itself does not speak in these terms; these are the questions of a twentieth-century, philosophically inclined American. In order to bridge the cultural gap, I will first give a summary account of the text's concept of Buddha nature in its own terms and in its own format. Then, acknowledging that the text itself neither speaks this language nor shares my concerns, I will put my questions to the text and attempt to extract from the text its implications for the subject of my concern. In other words, I cannot claim that the author of the BNT does make the statements I will give as responses to my questions about human being, but I do claim that these views are implicit in and follow from the statements he does make about Buddha nature. Granting that human freedom requires us to expect the unexpected, nonetheless, I believe that if the author of the BNT were here today and could engage in dialogue with me, as long as my interlocutor remained consistent, something close to the views I will articulate in the course of this essay would emerge. (King, "Buddha Nature and the Concept of Person," 151–52)
King, Sallie B. "Buddha Nature and the Concept of Person." Philosophy East and West 39, no. 2 (1989): 151–70.
Article
Buddhism and Nature—East Asian
Barnhill, David L. "Buddhism and Nature—East Asian." In Vol. 1 of Encyclopedia of Religion and Nature, edited by Bron Taylor, 236–39. London: Continuum, 2008. https://www.uwosh.edu/facstaff/barnhill/244-intro/buddhism-ern.
Barnhill, David L. "Buddhism and Nature—East Asian." In Vol. 1 of Encyclopedia of Religion and Nature, edited by Bron Taylor, 236–39. London: Continuum, 2008. https://www.uwosh.edu/facstaff/barnhill/244-intro/buddhism-ern.
Article
Buddhist Philosophy, Chinese
When Buddhism first entered China from India and Central Asia two thousand years ago, Chinese favourably disposed towards it tended to view it as a part or companion school of the native Chinese Huang–Lao Daoist tradition, a form of Daoism rooted in texts and practices attributed to Huangdi (the Yellow Emperor) and Laozi. Others, less accepting of this ‘foreign’ incursion from the ‘barbarous’ Western Countries, viewed Buddhism as an exotic and dangerous challenge to the social and ethical Chinese civil order. For several centuries, these two attitudes formed the crucible within which the Chinese understanding of Buddhism was fashioned, even as more and more missionaries arrived (predominantly from Central Asia) bringing additional texts, concepts, rituals, meditative disciplines and other practices. Buddhists and Daoists borrowed ideas, terminology, disciplines, cosmologies, institutional structures, literary genres and soteric models from each other, sometimes so profusely that today it can be difficult if not impossible at times to determine who was first to introduce a certain idea. Simultaneously, polemical and political attacks from hostile Chinese quarters forced Buddhists to respond with apologia and ultimately reshape Buddhism into something the Chinese would find not only inoffensive, but attractive.

In the fifth century A.D., Buddhism began to extricate itself from its quasi-Daoist pigeonhole by clarifying definitive differences between Buddhist and Daoist thought, shedding Daoist vocabulary and literary styles while developing new distinctively Buddhist terminology and genres. Curiously, despite the fact that Mahāyāna Buddhism had few adherents in Central Asia and was outnumbered by other Buddhist schools in India as well, in China Mahāyāna became the dominant form of Buddhism, so much so that few pejoratives were as stinging to a fellow Buddhist as labelling him ‘Hīnayāna’ (literally ‘Little Vehicle,’ a polemical term for non-Mahāyānic forms of Buddhism). By the sixth century, the Chinese had been introduced to a vast array of Buddhist theories and practices representing a wide range of Indian Buddhist schools. As the Chinese struggled to master these doctrines it became evident that, despite the fact that these schools were all supposed to express the One Dharma (Buddha’s Teaching), their teachings were not homogenous, and were frequently incommensurate.

By the end of the sixth century, the most pressing issue facing Chinese Buddhists was how to harmonize the disparities between the various teachings. Responses to this issue produced the Sinitic Mahāyāna schools, that is, Buddhist schools that originated in China rather than India. The four Sinitic schools are Tiantai, Huayan, Chan and Pure Land (Jingtu). Issues these schools share in common include Buddha-nature, mind, emptiness, tathāgatagarbha, expedient means (upāya), overcoming birth and death (saṃsāra), and enlightenment. (Source: Routledge Encyclopedia of Philosophy, Vol. 1)
Lusthaus, Dan. "Buddhist Philosophy, Chinese." In Vol. 1 of Routledge Encyclopedia of Philosophy, edited by Edward Craig, 80–92. London: Routledge, 1998.
Article
Chinese Tiantai Doctrine on Insentient Things’ Buddha-Nature
This essay is an investigation into the concept of insentient things possessing Buddha-nature with a focus on Jingxi Zhanran’s thoughts. In the history of Chinese Buddhism, Zhanran was not the originator of such a concept; however, he was the first Tiantai thinker to advocate this idea. He strongly argues that according to the Tiantai Perfect Teaching, Buddha-nature certainly extends to insentient things, which refers to inanimate objects without a nervous system, i.e., tangible or formless nonliving existents. This essay therefore aims at revealing this intent of Zhanran by exploring his argument of insentient things’ Buddha-nature. For Zhanran, the key quality of Buddha-nature is all-pervasiveness, and thus naturally, not only animate beings but also inanimate things are imbued with Buddha-nature. According to the principle of mutual inclusion, each dharma realm includes the other nine realms. Also, because body and land are mutually identical, the bodies and lands of Buddhas are interfused with those of the dwellers in the other nine realms. Thus, the inanimate lands also have Buddhanature. Lastly, mutual inclusion reveals a two-way relationship between the sentient and the insentient, thereby giving the possibility of reversing the positions of the subjective observer and the objective phenomenon. As such, it is conducive to my conclusion that insentient things can also take up an active role on the path of Buddhahood, as Zhanran contends that they inherently possess the threefold Buddha-nature.
Chen, Shuman. "Chinese Tiantai Doctrine on Insentient Things' Buddha-Nature." Chung-Hwa Buddhist Journal 24 (2011): 71–104.
Article
How to Think with Chan Gong'an
No abstract given. Below are the first relevant paragraphs:

A monk asked Zhaozhou: ‘‘Does a dog have buddha-nature?’’ Zhaozhou replied: ‘‘No.’’

This pithy exchange between an unidentified Buddhist monk and the Tang dynasty Chan master Zhaozhou Congshen (778–897) is perhaps the best-known example of a Chan gong’an, or ‘"public case." Although the passage occurs in a collection of Zhaozhou's sayings supposedly compiled by his disciples, its notoriety is due to a Song dynasty master, Wumen Huikai (1183–1260), who placed this exchange at the beginning of his famous gong’an collection, Gateless Barrier of the Chan Tradition (Chanzong wumen guan, 1228).[1] Wumen’s compilation, consisting of forty-four such exchanges and anecdotes accompanied by Wumen’s comments, is one of the most important works of Chan literature. And as the first case in Wumen’s collection, "Zhaozhou’s dog" became the single most influential gong’an in the Chinese Chan, Korean Son, and Japanese Zen traditions. It is often the first and sometimes the only gong’an assigned to monks, and many traditional commentators claim, following Wumen’s lead, that this single gong’an holds the key to all others.
      Wumen’s work was neither the earliest nor the most comprehensive compilation of Chan cases. Indeed, the Gateless Barrier is relatively short and straightforward in comparison to two earlier collections, the Blue Cliff Record of Chan Master Foguo Yuanwu (Foguo Yuanwu Chanshi Biyan lu), published in 1128, and the Congrong Hermitage Record of the Commentaries by Old Wansong on the Case and Verse [Collection] by Reverend Jue of Tiantong [Mountain] (Wansong laoren pingzhang Tiantong Jue heshang songgu Congrongan lu), published in 1224. The cases that make up these texts are each based on an individual anecdote, verbal exchange, or quandary known as the benze (original edict), to which has been added comments in prose and verse brushed by later masters. Whereas the Gateless Barrier contains forty-four such anecdotes accompanied by a brief comment and verse by Wumen, the Blue Cliff Record and Congrong Hermitage Record each contain one hundred cases including several layers of appended judgments, verses, and interlinear glosses. (The same "original edict" may appear in two or more collections, but the exegesis will invariably differ. More will be said about the structure of these collections below.) Many more gong’an collections gained currency in China, and the Chan tradition would come to speak of seventeen hundred authoritative cases (although this number was probably not meant to be taken literally). By the end of the Song the gong’an had assumed a central role in the ideological, literary, and institutional identity of the Chan school.
      Popular books on Chan and Zen Buddhism present gong’an as intentionally incoherent or meaningless. They are, it is claimed, illogical paradoxes or unsolvable riddles intended to frustrate and short-circuit the intellect in order to quell thought and bring the practitioner to enlightenment. This understanding of gong’an is allied with a view of Chan as an iconoclastic and anti-intellectual tradition that rejects scripture, doctrine, philosophy, and indeed all forms of conceptual understanding in favor of unmediated or "pure" experience. Gong’an are intended, according to this view, not to communicate ideas so much as to induce a transformative experience. To grasp at the literal meaning of a Chan case is to miss its point.
      Recently scholars have begun to question the instrumental view of Chan that underlies this approach to Chan cases, arguing that it is based on a misreading of the historical and ethnographic record.[2] Chan ranks among the most ritualistic forms of Buddhist monasticism, and a master’s enlightenment is constituted within a prescribed set of institutional and ritual forms.[3] Moreover, the notion that Chan is designed to induce a nonconceptual or pure experience can be traced in part to late nineteenth- and early twentieth-century Japanese intellectuals such as D. T. Suzuki and Nishida Kitarō, who were culling from Western sources, notably William James.[4] The notion that Chan is anti-intellectual and repudiates "words and letters" is belied by the fact that the Chan tradition produced the largest literary corpus of any Buddhist school in East Asia.[5] This corpus consists in large part of "recorded sayings" (yulu) and "records of the transmission of the flame" (chuandenglu) texts—texts recounting the careers and teachings of past patriarchs from which the original edicts were drawn.
      Scholars now appreciate that Chan is more complex than early apologists and enthusiasts cared to admit; it is no longer possible to reduce Chan practice and Chan literature to a mere means intended to engender a singular and ineffable spiritual experience. Accordingly, scholars of Chan gong’an have begun to attend to the institutional context and literary history of the genre,[6] and one scholar has devoted an entire monograph to the folkloric themes that appear in a single case.[7] Be that as it may, little progress has been made in deciphering the doctrinal and exegetical intent of Chan gong’an; it would appear that scholars remain reluctant to treat gong’an as a form of exegesis at all. This reluctance may be due to the enduring legacy of an earlier apologetic mystification of the gong’an literature. The primary objective of this chapter is to demonstrate that such reluctance is misguided and that it is indeed possible to recover the original meaning and doctrinal purport of at least some of the cases. The task is not easy, however, as the cases are philosophically subtle and hermeneutically sophisticated, and the authors of the collections delighted in obscure allusions, clever puns, and deft wordplay. (Sharf, "How to Think with Chan Gong’an," 205–7)

Notes

My thanks to Charlotte Furth and Elizabeth Horton Sharf for their comments and suggestions on earlier drafts of this chapter and to Ling Hon Lam for his meticulous editorial attention.

  1. T 2005:48.292c20–24. The exchange is also featured in case no. 18 of the Wansong Laoren pingzhang Tiantong Jue heshang songgu Congrongan lu, T 2004:48.238b21–39a28. Textual details concerning Zhaozhou’s recorded sayings (Zhaozhou Zhenji Chanshi yulu) will be found below.
  2. Faure, The Rhetoric of Immediacy and Chan Insights and Oversights; Foulk, "Myth, Ritual, and Monastic Practice"; Sharf, "The Zen of Japanese Nationalism," "Whose Zen?" and "Experience."
  3. Foulk and Sharf, "On the Ritual Use"; Sharf, "Ritual."
  4. Sharf, "Whose Zen?"
  5. On the sometimes controversial place of literary endeavors in the Song monastic institution, see esp. Gimello, "Mārga and Culture"; and Keyworth, "Transmitting the Lamp," 281–324.
  6. See esp. Heine and Wright, eds., The Kōan.
  7. Heine, Shifting Shape.
Sharf, Robert H. "How to Think with Chan Gong'an." In Thinking with Cases: Specialized Knowledge in Chinese Cultural History, edited by Charlotte Furth, Judith Zeitlin, and Hsiung Ping-chen, 205–43. Honolulu: University of Hawai'i Press, 2007.
Article
Hu-Jan Nien-Ch'i (Suddenly a Thought Rose): Chinese Understanding of Mind and Consciousness
The Issue: In the Awakening of Faith in Mahāyāna (Ta-ch'eng ch'i-hsin lun,b henceforth abbreviated as AFM), is found a unique explanation of the origin of avidyā, ignorance:
Hu-jan nien-ch'i, ming wei wu-mingc
Suddenly a thought rose; this is called ignorance

     This idea has baffled many modern scholars as it has traditionally charmed many a Far Eastern Buddhist. What is meant by "suddenly"? What constitutes "thought"? The most recent translator of the AFM, Yoshito Hakeda, has appended this remark to the passage:

There has been much discussion on the meaning of hu-jan in connection with the origin of ignorance, mainly on the basis of interpretations proposed by Fa-tsang,d (1) that ignorance alone becomes the source of defiled states of being. It is the subtlest; no other state of being can be the origin of this. It is therefore said in the text that ignorance emerges suddenly. (2) Commenting on a quotation from a sūtra, he says "suddenly" means "beginninglessly," since the passage quoted makes clear that there is no other state of being prior to the state of ignorance. (3) The word "suddenly" is not used from the stand point of time, but is used to account for the emergence of ignorance without any instance of inception.
. . . A monk of Minge China, glosses "suddenly" as pu-chüeh,f which may mean "unconsciously" or "without being aware of the reason."
. . . If hu-jan is a translation of a Sanskrit word, the original word asasmāt may be posited. Akasmāt means "without reason" or "accidentally."'"`UNIQ--ref-0000674A-QINU`"'
The above remark does not actually answer the question of the origin of the concept, hu-jan (suddenly) or the identity of nieng (thought). We become only more aware that hu-jan is one crucial justification for ch'anh (zen) "sudden enlightenment," itself a unique idea. Concerning the meaning of nien and wu-nieni (no-thought), I have shown in a related article that (a) Hakeda is not the first repeatedly to read nien as wang-nien,j vikalpa; Śikṣānanda's AFM was bothered by the same term; (b) but both managed to distort the original meaning; for (c) nien is rooted in a peculiar understanding in pre-Buddhist Han China.'"`UNIQ--ref-0000674B-QINU`"' Nien is the incipient thought, associated with yink that disrupts the (otherwise passive, yang,l mind. In this present article, I will cite more evidences—this time focusing upon the concepts of shih,m consciousness, and hu-jan, suddenness—to show again why the AFM cannot be fully understood without reference to the native mode of thought. (Lai, "Hu-Jan Nien Ch'i (Suddenly a Thought Rose)," 42–43)
Lai, Whalen. "Hu-Jan Nien-Ch'i (Suddenly a Thought Rose): Chinese Understanding of Mind and Consciousness." Journal of the International Association of Buddhist Studies 3, no. 2 (1980): 42–59. https://journals.ub.uni-heidelberg.de/index.php/jiabs/article/view/8520/2427.
Article
Is Critical Buddhism Really Critical?
Peter Gregory’s essay, "Is Critical Buddhism Really Critical?," takes the thought of Tsung-mi as a case study in order to ask whether the pursuit of "true Buddhism" is not in turn positing some sort of dhātu-vāda-like essence of Buddhism, hence mirroring the object of its own criticism. Preferring to see Buddhism as a "product of a complex set of interdependent and ever-changing conditions (pratītyasamutpāda),” he looks at Tsung-mi's thought not to determine whether or not it is "truly Buddhist" but in order to discover the causes and conditions that brought it into existence. In a manner similar to Sallie King's argument that Buddha-nature can be understood as a catalyst for positive social change, Gregory argues that for Tsung-mi the doctrine of original enlightenment was tied not to a linguistic transcendentalism but rather to an affirmation of language in response to the more radical critiques of the prajñā-pāramitā tradition. (Hubbard, introduction to Pruning the Bodhi Tree, xvii)
Gregory, Peter N. "Is Critical Buddhism Really Critical?" In Pruning the Bodhi Tree: The Storm over Critical Buddhism, edited by Jamie Hubbard and Paul L. Swanson, 286–97. Honolulu: University of Hawai'i Press, 1997.
Article
Mindfulness and Mindlessness in Early Chan
No abstract given. Here are the first relevant paragraphs:

The Chan tradition is renowned as the “meditation” school of East Asia. Indeed, the Chinese term chan 禪 (Jpn: zen) is an abbreviated transliteration of dhyāna, the Sanskrit term arguably closest to the modern English word “meditation.” Scholars typically date the emergence of this tradition to the early Tang dynasty (618–907), although Chan did not reach institutional maturity until the Song period (960–1279). In time, Chinese Chan spread throughout East Asia, giving birth to the various Zen, Sŏn, and Thiê`n lineages of Japan, Korea, and Vietnam, respectively. Today these traditions continue to promote, at least in theory, meditation practices, and these have been the subject of considerable scholarly interest.[1]
      It may then come as a surprise to learn just how little is known about the meditation techniques associated with the “founders” of this tradition—the masters associated with the nascent (or proto-) Chan lineages of the seventh and eighth centuries. It was during this fertile period—which, following scholarly convention, I will call “early Chan”—that the lineage myths, doctrinal innovations, and distinctive rhetorical voice of the Chan, Zen, Sŏn, and Thiê`n schools first emerged. Although hundreds of books and articles have appeared on the textual and doctrinal developments associated with early Chan, relatively little has been written on the distinctive meditation practices, if any, of this movement.
      This essay emerged from an attempt to answer a seemingly straightforward question: what kinds of meditation techniques were promulgated in early Chan circles? The answer, it turned out, involved historical and philosophical forays into the notion of “mindfulness”—a style of meditation practice that has become popular among Buddhists (and non-Buddhists) around the globe. Accordingly, I will digress briefly to consider the roots of the modern mindfulness movement, and will suggest possible sociological parallels between the rise of the Buddhist mindfulness movement in the twentieth century and the emergence of Chan in the medieval period. (Sharf, "Mindfulness and Mindlessness in Early Chan," 933)

Notes
  1. The literature is vast; on modern Japanese Zen and Korean Sŏn meditation practice in English see, for example, Buswell 1992, Hori 2000, and Hori 2003. On the history of these practices see Bielefeldt 1988, Buswell 1987, Collcutt 1981, Foulk 1993, and Schlütter 2008.
Sharf, Robert H. "Mindfulness and Mindlessness in Early Chan." Philosophy East and West 64, no. 4 (2014): 933–64.
Article
On the Awakening of Faith in the Mahāyāna
An introduction to the Awakening of Faith
Gardner, Alex. "On the Awakening of Faith in the Mahāyāna." Buddha-Nature: A Tsadra Foundation Initiative, October 9, 2019. https://buddhanature.tsadra.org/index.php/Articles/On_the_Awakening_of_Faith_in_the_Mah%C4%81y%C4%81na
Article
Reification and Deconstruction of Buddha Nature in Chinese Chan
Although much has been said about deconstruction in Madhyamika Buddhism, very little has been done in the study of deconstructive strategy in Chan Buddhism. In his study of deconstruction in Nāgārjuna's thought, Robert Magliola adds several passages that discuss the same topic in Chan/Zen Buddhism. Magliola's major contribution is his distinction between logocentric and differential trends in Chan/Zen Buddhism (Magliola: 96-7). This distinction allows us to take a fresh look at, and to re-examine, those inner struggles in the evolution of Chan Buddhist thought. However, Magliola's study of deconstruction in Chan is not systematic, despite its insights. He uses only a few cases to show the deconstructive tendency in Chan, without applying his distinction to a closer examination of the different schools of Chan thought. Thus, his study leaves only the impression that the deconstructive or differential trend is connected with the Southern School of Chan. He does not justify this thesis through a closer doctrinal and textual-contextual investigation.
      Bernard Faure, on the other hand, touches upon the same issue of logocentric and differential trends in Chan in his comprehensive critique of the Chan tradition. Faure's study of this issue has two main problems. First, since his study is a criticism, he shows only what he thinks is the logocentric side of Chan, without providing a constructive study of deconstruction in Chan. Second, he criticizes Magliola for relating his logocentric/differential distinction to the historically well-defined distinction between Northern and Southern Chan. Faure believes that this hasty connection is "counterproductive" (Faure 1993: 225). His own approach, as opposed to Magliola's, is to suggest that it is impossible to identify one school or one figure in the Chan tradition as either logocentric or deconstructive. He asserts that there are "only combinations" of these two types in the Chan tradition (Faure 1993: 225). It appears that this position of "combination only" avoids a one-sided view and the error of jumping to a conclusion. However, by concluding that there are only combinations, Faure turns away from the necessity and possibility of analyzing and identifying individual deconstructive trends in Chan Buddhism, and from the necessity and even the possibility of a coherent reinterpretation and reconstruction of Chan thought. The coherent reinterpretation and reconstruction of Chan thought obviously demands more than a mere criticism. It is true that the thought of one school or one figure may involve elements of two trends; but this fact does not preclude the possibility of its being coherently interpreted as representative of one trend.
      This paper, therefore, will attempt to investigate a major deconstructive trend in Chan Buddhism, namely, that of the Huineng 惠能 and the Hongzhou 洪州 Chan, and its target—certain reifying tendencies in Chan. (Wang, preliminary remarks, 63–64)
Wang, Youru. "Reification and Deconstruction of Buddha Nature." Dao: A Journal of Comparative Philosophy 3, no. 1 (2003): 63–84. https://terebess.hu/zen/Buddha-Nature-in-Chan.pdf.
Article
Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism
No abstract given. Here are the first relevant paragraphs:

The field of Ch'an studies has seen some very lively disputes over the course of the twentieth century, but there has been general agreement on the proposition that the doctrine of sudden enlightenment represents the highest expression of the doctrinal mainstream of early Chinese Ch’an Buddhism. Although there is some quibbling regarding details and specific interpretations, scholars working in this field often describe the history of the doctrine of sudden enlightenment within Ch’an in terms of three subjects: (1) Hui-neng’s doctrine of sudden enlightenment as shown in his "mind verse" (hsin-chieh) in the Platform Sutra of the Sixth Patriarch (Liu-tsu t'an-ching); (2) Shen-hui’s campaign in opposition to the gradual teaching of the Northern school and in support of the public recognition of Hui-neng as sixth patriarch; and (3) the continuation of the spirit of Hui-neng in the teachings and religious practice of Ma-tsu, Shih-t'ou, and the later Ch’an tradition
      Research done in recent years has shown that the traditional interpretations of these three subjects are all substantially incorrect, although the implications of these findings have not yet been fully realized. The history of early Ch'an is in the process o f being thoroughly rewritten, but it is already clear that the doctrine of sudden enlightenment and the dispute between the sudden and gradual teachings should no longer be used as yardsticks by which the religious message of Ch'an and its widespread acceptance in T'ang dynasty China are understood. (McRae, "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism," 227)
McRae, John R. "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism." In Sudden and Gradual: Approaches to Enlightenment in Chinese Buddhist Thought, edited by Peter N. Gregory, 227–78. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press.
Article
Sinitic Speculations on Buddha-Nature: The Nirvāṇa School (420–589)
The universality of Buddha-nature is a doctrine accepted by all Chinese schools of Buddhism. The Wei-shih (Fa-hsiang, Vijñaptimātratā) school of Hsüan-tsang, for reviving the notion that the icchantika is agotra, devoid of this seed of enlightenment, had been summarily dismissed as "Hīnayānist" for that reason. The idea of "the enlightenability of the icchantika" is associated with the later-named "Nirvāṇa School," a group of scholars in the Southern Dynasties (420–589) that chose to specialize on the Nirvāṇa Sūtra, the Mahāyāna scripture narrating the last day and teaching of Śākyamuni on earth. The person credited with discovering this doctrine, before even the full sūtra was available to vindicate his stand, is Chu Tao-sheng (375?–434), perhaps better known for his stand on "sudden enlightenment." The school as such flourished best in the Liang dynasty (502–557); but because it was then aligned with scholarship focusing on the Ch'eng-shih-lun (Satyasiddhi?) by Harivarman, it came under criticism when the latter was denounced as Hīnayānist in the Sui dynasty. It is usually said that the T'ien-t'ai school, based on the Lotus Sūtra, superseded the Nirvāṇa school by incorporating many of its ideas, while the Ch'eng-shih school suffered irredeemably under the attack of Chi-tsang of the San-lun (Three Treatise or Mādhyamika) school at the same time. Henceforth, the Nirvāṇa school faded away while its old association with the Ch'eng-shih tradition was judged an unnecessary mistake.'"`UNIQ--ref-00006750-QINU`"' This article will introduce three moments from the history of this Nirvana school, showing the main trends of development and, somewhat contrary to traditional opinion, justifying the necessity for the detour into Harivarman's scholarship. Emphasis will also be put on the interaction between Buddhist reflections and the native traditions. (Lai, "Sinitic Speculations," 135)
Lai, Whalen. "Sinitic Speculations on Buddha-Nature: The Nirvāṇa School (420–589)." Philosophy East and West 32, no. 2 (1982), 135–49.
Article
T'ien-T'ai Chih-I's Theory of Buddha Nature—A Realistic and Humanistic Understanding of the Buddha
Heng-ching Shih, in her contribution, explores in some detail the T'ien-t'ai view of Buddha Nature, with a special focus on the question of evil. This is clearly a difficult issue for any philosophical school whose basic affirmation is that all living beings are naturally and originally pure and radiant: how, if this is true, can one account for the apparent existence of evil, the opposite or absence of this purity and radiance? Shih's chronological review of the development of the theory of "inherent evil" in T'ien-t'ai begins with the Ta ch'eng chih-kuan fa men which, in accord with the tradition, she judges to predate Chih-i himself, and then proceeds to an analysis of the Kuan-yin hsüan-i, a work that, again following tradition, she attributes to Chih-i. It is probably fair to say that the weight of contemporary historical-critical scholarship in both Japan and the West is against both this chronology and this attribution; Shih is, of course, aware of this, but judges the arguments against the traditional position to be inconclusive. The matter is complex, and the importance of Shih's paper lies not in this but rather in the substantive doctrinal analysis she provides of "inherent evil". (Griffiths and Keenan, introduction to Buddha Nature, 6)
Shih, Heng-Ching. "T'ien-T'ai Chih-I's Theory of Buddha Nature—A Realistic and Humanistic Understanding of the Buddha." In Buddha Nature: A Festschrift in Honor of Minoru Kiyota, edited by Paul J. Griffiths and John P. Keenan, 153–70. Tokyo: Buddhist Books International, 1990.
Article
T'ien-t'ai Chih'i's Concept of Threefold Buddha Nature-A Synergy of Reality, Wisdom, and Practice
Paul L. Swanson's contribution, on Chih-i's threefold concept of Buddha Nature, places T'ien-t'ai thought on this matter in a broader conceptual context. He presents it as one more application of the fundamental T'ien-t' ai idea of synergy—that there is a deeply symbiotic relationship between the way things really are (reality), the awareness of the way things really are (wisdom), and the religious practice that produces such an awareness (practice). Swanson bases his exposition on the Fa-hua hsüan-i, in which Buddha Nature, along with nine other Buddhist concepts, is interpreted through the threefold pattern already adverted to. Swanson shows how Chih-i, drawing upon both the Nirvāṇa Sūtra and the Lotus Sūtra, accommodates Buddha Nature terminology and concepts into the structure of his own thought. (Griffiths and Keenan, introduction to Buddha Nature, 6)
Swanson, Paul L. "T'ien-t'ai Chih'i's Concept of Threefold Buddha Nature—A Synergy of Reality, Wisdom, and Practice." In Buddha Nature: A Festschrift in Honor of Minoru Kiyota, edited by Paul J. Griffiths and John P. Keenan, 171–80. Tokyo: Buddhist Books International, 1997. https://nirc.nanzan-u.ac.jp/en/files/2012/11/Chih-i-on-Buddha-nature.pdf.
Article
The Ambiguity of the Buddha-Nature Concept in India and China
This paper has three aims. First, to demonstrate the irreducible ambiguity of what we may very generally call the Buddha's real or essential nature (as we find it in certain Mahāyāna texts). Secondly, to give an explanation of how this ambiguity arose within the Mahāyāna. Thirdly, to see how the Chinese handled this ambiguity. Since my argument takes some time to unfold, I give a summary straightaway without supporting evidence
      The concept of the Buddha's real or essential nature is referred to by (or better: rests upon) many different Sanskrit terms - e.g. (tathāgata-)dhātu, (buddha-)gotra, (tathāgata-)garbha, dharmatā, dharma-kāya, buddhatā. Other terms that are closely related are Tathatā, āśraya, prakṛti, prabhāsvara-citta, dharma-dhātu, buddha-jñāna.'"`UNIQ--ref-00000069-QINU`"' So when we speak of the Buddha-nature (which is how I will abbreviate the more cumbersome 'the Buddha's real or essential nature' from now on), we are tacitly drawing upon some or all of these terms, which have their own ramifications and interrelations, of course. This is a very complex situation and I want to try and clarify it by approaching it from two angles. First, historically, I want to propose that Buddhism in India always had within it three strands which tended to view and understand the Dharma from their own standpoint; these strands are those of śīla, samādhi and prajñā (see p. 262 for details). Secondly, conceptually, I propose a number of what may be called conceptual nets or images (e.g. withinness, foundation, nature/being—see p. 263 for details) that can be applied to the concept of the Buddha-nature, and which (a) tend to hang together as a group, but in addition (b) each of the conceptual nets to a large extent determines the sort of terminology that is used when speaking of the Buddha-nature. Part of my argument is that works like the RGV (and to a lesser degree, the ŚMS) represent a systematization of the different terms (and hence, tacitly, the conceptual nets that give rise to these terms) that were available at the time that the Mahāyāna was growing to maturity.'"`UNIQ--ref-0000006A-QINU`"' This period of the Mahāyāna is usually referred to as the third turning of the Dharma-cakra; it involved a fundamental shift in the axis of Buddhism which led to a bhedābheda philosophy (i.e. the Absolute is both distinct and non-distinct from its attributes). Finally, we look at what the Chinese made of all this. They settled on the term fo hsing to mean 'Buddha-nature', but we find that hsing is used to translate different Sanskrit terms (e.g. prakṛti, gotra, bhāva—see p. 267 for details), and that these Sanskrit terms are themselves translated by other words than hsing (e.g. t'i, shen, chen, shih). In other words, the inherent ambiguities in the Sanskrit terminology are replaced by inherent ambiguities in the Chinese terminology. In addition, because garbha (which nearly always means 'embryo' in Sanskrit) is translated by ts'ang, ( = 'womb'; lit. 'storehouse'), a certain vacuum was created in the Chinese vocabulary which the terms fo hsing and fo hsin ( = buddha-citta) neatly filled. (Rawlinson, introductory remarks, 259–60)
Rawlinson, Andrew. "The Ambiguity of the Buddha-Nature Concept in India and China." In Early Ch’an in China and Tibet, edited by Whalen Lai and Lewis Lancaster, 259-79. Berkeley: Asian Humanities Press, 1983.
Article
The Buddha Nature: True Self as Action
No abstract given. Here are the first relevant paragraphs:

Buddhism, and especially early Buddhism, is known for the anātman (no self) teaching. By any account, this teaching is central to both doctrine and practice from the beginning. Zen Buddhism (Chinese Ch'an), in contrast, is known for its teaching that the single most important thing in life is to discover the 'true self'. Is there a real, or only an apparent, conflict between these two versions of Buddhism? Certainly there is at the least a radical change in the linguistic formulation of the teaching. Examining the two teachings on the linguistic level, we note that the use of the term 'true' in the phrase 'true self' may indicate that we have here a conscious reformation of the place of the term 'self' in the tradition, or perhaps that the use of this phrase in Zen is the product of such a conscious formulation. Thus we may expect, upon investigation, to find an evolution from one teaching to the other, rather than a true doctrinal disparity. The apparent, or linguistic, conflict between the two, however, remains; hence we must also expect to find a doctrinal formulation at some point in this evolution in which the apparent conflict is consciously apprehended and resolved.
      That is, Buddhism embraces both the teaching that there is no self and the teaching that the goal of life is to discover the true self. Not only does Buddhism embrace these two formulations, but each in its own context is the central pivot of the teachings of the school or community concerned. Two questions arise here. (1) How can a single tradition affirm both no self and true self? How can the two ideas be reconciled? (This is the philosophical question.) (2) In linking early Buddhism and Zen we are discussing two religious movements separated by approximately 12 centuries and by their development in two vastly different cultures, the Indian and the Chinese. What is there in the course of this development that could account for the transition from talk of no self to talk of true self? (This is the question of intellectual history.) In the present essay I will attempt to show that it is by examining the Buddha nature (fo hsing 佛性) concept and understanding it as a term representing certain actions that these questions may be answered. (King, "The Buddha Nature," 255)
King, Sallie B. "The Buddha Nature: True Self as Action." Religious Studies 20, no. 2 (1984): 255–67. http://www.seattlebetsuin.com/wp-content/uploads/2014/05/King.Buddha-nature.pdf
Article
The Doctrinal Transformation of Twentieth-Century Chinese Buddhism: Master Yinshun's Interpretation of the Tathāgatagarbha Doctrine
In this paper, I examine Yinshun’s interpretation of the tathāgatagarbha (rulaizang) and its relationship to the following concepts: the Buddha’s epithet ‘the thus come one’ (Skt. tathāgata; Chn. rulai) and the theory of ‘the selfhood of the tathāgatagarbha’ (rulaizangwo). Yinshun regards these two ideas as playing substantial roles in the evolution of the tathāgatagarbha theory. His conception of their connection to the theory clarifies what I contend has been and continues to be Yinshun’s doctrinal agenda; namely, re-asserting the doctrine of emptiness (Skt. śūnyatā; Chn. kong) as the definitive expression of Buddhist truth and relegating the tathāgatagarbha teaching to the category of expedient means. I base the following discussion primarily on Yinshun’s text A Study of the Tathāgatagarbha (Rulaizang Zhi Yanjiu), for it serves as his most exhaustive statement about the tathāgatagarbha and related doctrines. Finally, the interpretation of the relationship between the tathāgatagarbha and the doctrine of emptiness has been and continues to be a contested issue in the Buddhist tradition. Therefore, before turning to Yinshun’s explanation of its connection to the aforementioned concepts, I first place his interpretation of the tathāgatagarbha within the context of this on-going dispute. (Hurley, "The Doctrinal Transformation of Twentieth-Century Chinese Buddhism," 30)
Hurley, Scott. "The Doctrinal Transformation of Twentieth-Century Chinese Buddhism: Master Yinshun's Interpretation of the Tathāgatagarbha Doctrine." Contemporary Buddhism 5, no. 1 (2004): 29–46.
Article
The Doctrine of Buddha Nature in Chinese Buddhism—Hui-K'ai on Paramārtha
John P. Keenan, in his essay on Paramārtha and Hui-K'ai, explores the complex process by which Indian Buddhist texts were transmitted into China, and argues for the pervasive influence, both linguistic and conceptual, of pre-Buddhist Taoist ideas upon that process. This influence, he argues, was essentially "centrist" in that Taoist thought then focused upon nonbeing as the source or matrix of being, and upon the importance of the "original nature" of human persons; such ideas were naturally conducive to an emphasis upon Tathāgatagarbha and Buddha Nature terms and concepts, for the interpretive tools for understanding them were already present in China, while this was not the case for Indian ideas about sūnyatā and the dialectic of the two truths.
      To illustrate this general point Keenan considers the case of the translator Paramārtha and his amanuensis Hui-k'ai, and shows that in their work on Indic texts they not infrequently added references to tathtāgatagarbha and Buddha Nature where no such mention was made in the originals; they thus contributed to the centrality of Buddha Nature thought in East Asian Buddhism. (Griffiths and Keenan, introduction to Buddha Nature, 5)
Keenan, John P. "The Doctrine of Buddha Nature in Chinese Buddhism—Hui K'ai on Paramārtha." In Buddha Nature: A Festschrift in Honor of Minoru Kiyota, edited by Paul J. Griffiths and John P. Keenan, 125–37. Tokyo: Buddhist Books International, 1990.
Article
The Early Development of the Buddha-Nature Doctrine in China
No abstract given. Here are the first relevant paragraphs:

Among the many concepts current among Chinese Buddhists, "Buddha-nature" is undoubtedly the most central and the most widely debated. As is well-known, the idea "Buddha-nature" first became popular in China with the translation of the Mahayana Mahāparinirvāṇa-sūtra (hence-forth referred to as MNS) in the early fifth century; since then, a variety of theses have been proposed on several aspects of the subject. These are worth examining not only because of the important role they play in the history and development of Chinese Buddhist thought, but also because they reflect more fundamental doctrinal differences. Once these differences have been clarified, a more comprehensive picture of the various dominant philosophical trends in the field of Chinese Buddhism will appear. This paper will unravel the diverse streams of thought which came to be associated with the Buddha-nature concept during the Northern and Southern Dynasties, i.e., in the first two centuries of the propagation of the Buddha-nature doctrine in China. (Liu, foreword, 1)
Liu, Ming-Wood. "The Early Development of the Buddha-Nature Doctrine in China." Journal of Chinese Philosophy 16, no. 1 (1989): 1–36.
Article
The Impact of the Nirvana Sutra in China
Mather, Richard B. "The Impact of the Nirvana Sutra in China." In Literature of Belief: Sacred Scripture and Religious Experience, edited by Neal E. Lambert, 155–74. Provo, UT: Religious Studies Center, Brigham Young University, 1981. https://rsc.byu.edu/archived/literature-belief-sacred-scripture-and-religious-experience/8-impact-nirvana-sutra-china
Mather, Richard B. "The Impact of the Nirvana Sutra in China." In Literature of Belief: Sacred Scripture and Religious Experience, edited by Neal E. Lambert, 155–74. Provo, UT: Religious Studies Center, Brigham Young University, 1981. https://rsc.byu.edu/archived/literature-belief-sacred-scripture-and-religious-experience/8-impact-nirvana-sutra-china
Article
The Mind as the Buddha-Nature: The Concept of the Absolute in Ch'an Buddhism
Although Ch'an Buddhism has a long history, the name of the Ch'an School (ch'an-mena or ch'an-rsungb)'"`UNIQ--ref-0000669B-QINU`"' was a relatively late development. It was Tsung-mic (780-841),'"`UNIQ--ref-0000669C-QINU`"' the great Master of Kuei-fung who, for the first time, adopted the term in the ninth century A.D. It is interesting to note that it was the same monk-scholar who used the School of Mind (hsin-tsungd)'"`UNIQ--ref-0000669D-QINU`"' as a synonym of the Ch'an school. Tsung-mi was a scholar of buddhist thought who had personal experience in the broad-ranging knowledge of Ch'an traditions. He collected relevant materials and wrote extensively in an effort to analyze the doctrine and practices of the tradition. His identification of the Mind with the Ch'an indicates that, in his opinion, the Mind was the central focus of the school. Although Tsung-mi contributed a good deal to the understanding of Ch'an Buddhism, his contributions remained almost unknown for a thousand years; it is only during the last two decades that scholars have gradually come to recognize his contribution. with considerable astonishment and admiration. This article is an attempt to describe, analyze and assess Tsung-mi's thesis that the doctrine of Mind is the central focus of Ch'an Buddhism and that the Mind itself is the absolute. (Jan, "The Mind as the Buddha-Nature," 467)
Jan, Yün-hua. "The Mind as the Buddha-Nature: The Concept of the Absolute in Ch'an Buddhism." Philosophy East and West 31, no. 4 (1981): 467–77.
Article
The Soul of Chinese Buddhism: Buddha-Nature and Universal Awakening; The Rise of Chinese Buddhist Humanism
4.1 Buddhicizing the Chinese “soul”

      4.1.1 The Nirvāṇa Sūtras. Like many other ancient cultures, the Chinese, too, have a concept of a soul or abiding entity that survives the person‘s death. The Chinese word for such an abiding entity is línghún 靈魂. One of ancient China‘s largest and wealthiest temple, built in 328 (Eastern Jin dynasty) by the Indian monk, Huìlǐ 慧理,'"`UNIQ--ref-0000110D-QINU`"' is called Língyǐn Sì 靈隐寺, the "Temple of the Soul‘s Retreat," belonging to the Chán school, located north-west of Hangzhou, Zhejiang province. In its heyday, during the kingdom of Wúyuè guó 吳越國 (907-978) [5.1.2.1], the temple boasted of 9 multi-storey buildings, 18 pavilions, 72 halls, more than 1300 dormitory rooms, inhabited by more than 3000 monks. Many of the rich Buddhist carvings in the Fēilái fēng 飛來峰 grottos and surrounding mountains also date from this era.
      The Chinese word for anattā (P) or anātman (Skt) (non-self) is wúwǒ 無我, literally meaning "not-I." There is no Chinese word for not-linghun. As such, although a Chinese Buddhist would intellectually or verbally accept the notion that there is no I (that is, an agent in an action), he would probably unconsciously hold on to the idea of some sort of independent abiding entity or eternal identity, that is, the linghun, which is in effect the equivalent of the brahmanical ātman. The situation becomes more complicated with Mahāyāna discourses, such as the Nirvāṇa Sūtra, that speak of a transcendent Buddhanature as the true self.'"`UNIQ--ref-0000110E-QINU`"'


Read more here
Tan, Piya. "The Soul of Chinese Buddhism: Buddha-Nature and Universal Awakening; The Rise of Chinese Buddhist Humanism." 3rd ed. Chapt. 4 in How Buddhism Became Chinese. Vol. 40B of Sutta Discovery. Living Word of the Buddha. Singapore, 2009. http://www.themindingcentre.org/dharmafarer/wp-content/uploads/2013/04/40b.4-The-soul-of-Chinese-Buddhism.pdf.
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The Sutra on the Wisdom Stored in the Ocean of Buddha-Nature
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Article
The Yogācārā and Mādhyamika Interpretations of the Buddha-nature Concept in Chinese Buddhism
The idea of Buddha-nature was first made popular in China in the early fifth century with the translation of the Mahāyāna Mahāparinirvāṇasūtra (hereafter cited as MNS),'"`UNIQ--ref-000000F9-QINU`"' and since then, it has remained one of the central themes of Chinese Buddhist thought. Already in the fifth and early sixth centuries, a wide variety of theories on the Buddha-nature had begun to appear, but extant information about them remains scanty and scattered.'"`UNIQ--ref-000000FA-QINU`"' It is in the writings of Ching-ying Hui-yüan (523–592),'"`UNIQ--ref-000000FB-QINU`"' the Yogācārin, and in Chi-tsang (549–623), the Mādhyamika, that we find the earliest available full-scale treatments of the subject. Hui-yüan and Chi-tsang hold a number of views in common with respect to the question of Buddha -nature:

'"`UNIQ--poem-000000FF-QINU`"'

Nevertheless, given their very different theoretical upbringings and doctrinal affiliations, it is inevitable that they would carry to their explanations of the Buddha-nature concept some of the basic principles and assumptions of their respective philosophical traditions. In examining and comparing the Buddha-nature teachings of Hui-yüan and Chi-tsang our present study attempts to show how the Buddha-nature concept has come to assume divergent significances when read in the context of the two main streams of thought in Mahāyāna Buddhism: Yogācāra and Mādhyamika. (Liu, "The Yogācāra and Mādhyamika Interpretations of the Buddha-nature Concept in Chinese Buddhism," 171)
Liu, Ming-Wood. "The Yogācārā and Mādhyamika Interpretations of the Buddha-nature Concept in Chinese Buddhism." Philosophy East and West 35, no. 2 (1985): 171–93.
Article
Zhanran's Arguments in Support of His Buddha-Nature Theory, as Presented in His Diamond Scalpel Treatise
The Sinicised schools of Buddhism – such as Tiantai 天台 – are deeply rooted in the Indian Buddhist teachings, but at the same time, their masters reinterpreted the inherited teachings, and attributed new meanings to the translated texts, by shifting the emphasis, changing the point of views, etc. Through the process of interpreting and reinterpreting, some new theories emerged having diametrically different ideas from those of the original Buddhist teachings. All of them are original and intriguing examples of a Chinese way of thinking and worth of being subjects of a more detailed examination. When creating commentaries to the Indian sūtras and treatises, the Chinese masters elaborated their own theories. Rather than the word by word, sentence by sentence type of commentaries, these commentaries attempting to explain and expand the 'subtle' meaning of a parable, a symbol or certain characters, proved to be more adequate to the purpose of elaborating original, ingenious ideas, reaching far beyond the original textual meaning, and the presupposed intention of the author or translator.'"`UNIQ--ref-00000043-QINU`"' A typical example of such approach is the magnum opus of the de facto founder of the Tiantai school, Zhiyi 智顗 (538–597), The Subtle Meaning of the Lotus Sūtra (Miaofa lianhua jing xuanyi 妙法蓮華經玄義; T33: 1716), where the author presents the basic tenets of the Tiantai school, in the form of explaining the character 'miao' 妙 (meaning 'subtle' or 'wonderful'), the very first character of the most well-known Chinese translation of the Lotus Sūtra.'"`UNIQ--ref-00000044-QINU`"' In the eyes of the author (and his followers), this single character offers sufficient basis to expound his novel insights, in a way that, despite their novelty, are at the same time linked to the Buddhist tradition. A substantial part of the lengthy commentary is centered on the 'explanation' of the term 'subtle'. According to Zhiyi, this notion is the best expression of ultimate reality. 'For Chih-i the word 'subtle' symbolizes and summarizes that which is beyond conceptual understanding, and thus it is the word most appropriate to describe reality, which is ultimately indescribable."`UNIQ--ref-00000045-QINU`"'
      From this, we can draw the conclusions that for a Tang Dynasty (618–907) monk, trained on the teachings and traditions of a Sinitic school of Buddhism, the title of a Buddhist writing is highly important, for mainly two reasons: (1.) it can bear the very essence, the 'subtle' meaning of the whole work, and (2.) it can serve as an anchor, that bounds it to the 'original' Buddhist teachings, serving as a means of legitimatisation, at the same time. These two aims can be detected in Zhanran's'"`UNIQ--ref-00000046-QINU`"' 湛然 (711−782) choice of the title for his Diamond Scalpel (Jin’gang bei 金剛錍; T46:1932) treatise. The Diamond Scalpel treatise, in one fascicle, written in his old age, is a relatively short work, compared to his lengthy commentaries, yet well deserves to be considered his most creative, genuine work. The main theme of the treatise is the Tiantai interpretation of the teaching of Buddha-nature, as inherently including insentient realm, as well as all sentient beings. While expounding the topic, and presenting his arguments, the main tenets of the Tiantai school emerge one after the another, offering the reader a complete picture of the self and the world, suffering and the ways to liberation, etc. – i.e. problems of utmost importance for a Buddhist practitioner –, as seen by a Tang Dynasty Buddhist monk. At a first reading, the title of the treatise does not seem to tell us a lot about its content, but taking a closer look, and applying a more careful, meticulous examination, we find that Zhanran's choice of title must have been the result of a thoughtful consideration, for it perfectly suites the above mentioned two criteria. Following Zhiyi’s legacy, Zhanran chooses a title, which 'symbolizes and summarizes' the main issues to be discussed in his treatise. More precisely, first of all, it hides an allusion to a simile from a mahāyāna sūtra (thought to render the words of the Buddha), and thus anchors, bounds the whole work to the 'original' teachings of the Buddha, and secondly, after decoding the symbols and references, and interpreting them in the light of Tiantai philosophy, we find that these three characters can truly be regarded the quintessence of the work, the very argument in support of the theory of Buddha-nature of the insentient. Zhanran, following the example of his great predecessor, Zhiyi, expounds and argues based on the most important texts and tenets of mahāyāna Buddhism, while interpreting, reinterpreting, and often furnishing these with new, ingenious meanings.
      First, we are going to examine the provenance and possible interpretations of the title – i.e. the context in which the basic notions appear, before Zhanran's time –, Zhanran's own explanation of the title, i.e. the very first paragraph of his work, and further interpretations of the title (and its explanation) found in later commentaries, written to the treatise, by Tang and Song Dynasty monks. Through this one, particular example we can get a glimpse into the complex process of how Chinese monks interpreted and reinterpreted the texts inherited from India, the way in which through focusing on, and/or consciously selecting certain motifs, similes or even terms, embellished these with new meanings, which were further used as tools to prove their own ideas and theories, as if these were identical with the original teachings of Buddha Śākyamuni. Secondly, we are going to examine the most important arguments Zhanran is using to prove his theory about the Buddha-nature of the insentient. I will argue that these arguments can be grouped around two key concepts, already concealed within the title. (Pap, "Zhanran’s Arguments in Support of his Buddha-Nature Theory," 129–130)
Pap, Melinda. "Zhanran's Arguments in Support of His Buddha-Nature Theory, as Presented in His Diamond Scalpel Treatise: Starting from an Analysis of the Title." Paper presented at the International Symposium of Tiantai Studies: From Tiantai to Hiei; Transborder and Transcultural Spread of Tiantai/Chontae/Tendai/ Buddhism and East Asian Societies, Peking University, Beijing, China, Dec. 6–8, 2019.

Interviews

Interview
Book Launch: Revisiting Buddha-Nature in India and China by Dr. Christopher Jones and Dr. Li Zijie
Jones, Christopher, and Li Zijie. "Book Launch: Revisiting Buddha-Nature in India and China." Produced by SOAS (University of London), Centre of Buddhist Studies, February 18, 2021. Video, 1:47:49. https://youtu.be/8mKnUnmp4zw.
Jones, Christopher, and Li Zijie. "Book Launch: Revisiting Buddha-Nature in India and China." Produced by SOAS (University of London), Centre of Buddhist Studies, February 18, 2021. Video, 1:47:49. https://youtu.be/8mKnUnmp4zw.
Interview
Buddha-Nature in Early Chan and Japanese Zen by Rev. Kokyo Henkel: Conversations on Buddha-Nature
Henkel, Rev. Kokyo. "Buddha-Nature in Early Chan and Japanese Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 1:23:03. https://youtu.be/j_V3v-oqnNU.
Henkel, Rev. Kokyo. "Buddha-Nature in Early Chan and Japanese Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 1:23:03. https://youtu.be/j_V3v-oqnNU.

Multimedia

Audio
Buddha Nature and the Yogācāra Analysis of Mind in The Awakening of Faith
Ven. Dhammadipa (“Island of Dharma”) is ordained in both Theravāda and Mahāyāna traditions and teaches śamatha and vipaśyanā meditation at monasteries and universities worldwide in addition to studying and translating Buddhist texts from Pali, Sanskrit, and Chinese. He spoke with students at RYI on October 6, 2015 about the topic of Buddha-Nature in the text The Awakening of Faith in Mahāyāna.
Thero, Ven. Dhammadipa. "Buddha Nature and the Yogācāra Analysis of Mind in The Awakening of Faith." Recorded October 6, 2015 at Rangjung Yeshe Institute, Nepal. Audio, 1:43:28. https://soundcloud.com/rangjung-yeshe-institute/ven-dhammadipa-buddha-nature-and-the-yogacara-analysis-of-mind-in-the-awakening-of-faith.
Video
Buddhism's Buddha-Nature and Confucianism's Idea of Inherent Goodness by Sheng Yen
Buddhism's buddha-nature and Confucianism's idea of inherent goodness are different in that Buddhism's "nature" is emptiness while that of Mencius and Xunzi means a person's character or disposition, which is something substantial. Buddhism teaches us to engage in spiritual practice in order to rid ourselves of vexations, thereby manifesting our original buddha-nature, while Mencius and Xunzi both advocated the importance of education: Education can turn good into evil and evil into good. (Source Accessed Nov 17, 2020)
Sheng Yen. "Buddhism's Buddha-Nature and Confucianism's Idea of Inherent Goodness." Produced by Dharma Drum Mountain, January 3, 2016. Video, 8:33. https://www.youtube.com/watch?v=Rv2qlACVB8I.
Video
On the Issue of Buddha-Nature and Practice in East Asian Buddhist Traditions by Jamie Hubbard and Paul Swanson
Jamie Hubbard discusses how one of the critical features of East Asian Buddhist traditions consists of reconciling the concept of buddha-nature with the reality of everyday life. This situation has, he argues, opened up new avenues for practice.
Hubbard, Jamie, and Paul Swanson. "On the Issue of Buddha-Nature and Practice in East Asian Buddhist Traditions." Interview by Marcus Perman, Alex Gardner, and José Cabezón. AAR Annual Meeting, Denver, CO, Nov. 2018. Video, 3:49. https://www.youtube.com/watch?v=BrBsxf0vk7o.
Video
On the Roots of Tathāgatagarbha and His Position on the Concept by Venerable Dhammadipa
Venerable Dhammadipa discusses the concept of tathāgatagarbha, or buddha-nature, and its appearance in Chinese Buddhist traditions, noting that one hardly finds anything about the concept in the Theravada tradition.
Thero, Ven. Dhammadipa. "On the Roots of Tathāgatagarbha and His Position on the Concept." Interview by Marcus Perman. Salon Tibétain, Tsadra Foundation, Boulder, CO, Jan 30, 2019. Video, 7:35. https://www.youtube.com/watch?v=TvQ4W0U7JY8.
Video
Rev. Kokyo Henkel: On Mazu's Statements: "Mind Itself Is Buddha" and "Ordinary Mind Is the Way"
Henkel, Rev. Kokyo. "On Mazu's Statements: 'Mind Itself Is Buddha' and 'Ordinary Mind Is the Way'." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 3:01. https://youtu.be/CpEBZZnL-sE.
Henkel, Rev. Kokyo. "On Mazu's Statements: 'Mind Itself Is Buddha' and 'Ordinary Mind Is the Way'." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 3:01. https://youtu.be/CpEBZZnL-sE.
Video
Rev. Kokyo Henkel: Sources of Buddha-Nature Teachings in the Zen Tradition
Henkel, Rev. Kokyo. "Sources of Buddha-Nature Teachings in the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 20:56. https://youtu.be/vvdgwHudOrU.
Henkel, Rev. Kokyo. "Sources of Buddha-Nature Teachings in the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 20:56. https://youtu.be/vvdgwHudOrU.
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