Gray, D.

David Gray

David Gray received his B.A. in Religious Studies from Wesleyan University and his M.A. and Ph.D. in the History of Religion from Columbia University. His research explores the development of tantric Buddhist traditions in South Asia, and their dissemination in Tibet and East Asia, with a focus on the Yogin?tantras, a genre of Buddhist tantric literature that focused on female deities and yogic practices involving the subtle body. He focuses particularly on the Cakrasamvara Tantra, an esoteric Indian Buddhist scripture that serves as the basis for a number of important Nepali and Tibetan Buddhist practice traditions. (Source Accessed Dec 3, 2019)

Curriculum Vitae

Library Items

PhD Diss

Gray, D.: On Supreme Bliss: A Study of the History and Interpretation of the Cakrasaṃvara Tantra

Abstract

This thesis explores the development of an important Indian Buddhist scripture. the Cakrasaṃvara Tantra, and the tradition of exegesis and practice based upon it. It consists of an edition and translation of the first four chapters of the Cakrasaṃvara Tantra, as well as a translation of the corresponding portion of Tsongkhapa's Total Illumination of the Hidden Meaning, a Tibetan commentary on this scripture. These texts are contextualized via efforts to define "Tantric Buddhism" as it is understood by the tradition itself, and via explorations of both the intellectual and socio-historical contexts within which Tantric Buddhism developed, and the ways in which different subtraditions within it were elaborated and categorized.
It is argued that a common element of Tantric traditions is their resistance to the hegemonic ideology of caste. An exploration of this ideology and Buddhist resistance to it is undertaken. Tantric discourse was deployed as a form of resistance against caste ideology, but also constituted a counter ideology, which centered around the figure of the guru as a nexus of power and authority, and articulated in the model of the maṇḍala.

The Cakrasaṃvara Tantra, is notable for the strong presence of "non-Buddhist elements." The Cakrasaṃvara Tantra, is a composite text drawing from diverse sources, and while it probably reached its final form in a Buddhist monastic context, there is significant textual evidence suggesting that it was the product of a non-monastic, renunciant milieu in which sectarian identification was not particularly relevant. The Cakrasaṃvara Tantra, is, in Levi Strauss' terms, a bricolage. It provides a particularly striking example of the processes of adaptation and reinterpretation which have continually led to the development of religious traditions. The Cakrasaṃvara's identification as a Buddhist tradition was the result of the efforts of commentators in India who constructed it as such, and by Tibetan commentators, who completed this process of adaptation.

Gray, David Barton. "On Supreme Bliss: A Study of the History and Interpretation of the Cakrasaṃvara Tantra." PhD diss., Columbia University, 2001.

Gray, David Barton. "On Supreme Bliss: A Study of the History and Interpretation of the Cakrasaṃvara Tantra." PhD diss., Columbia University, 2001.;On Supreme Bliss: A Study of the History and Interpretation of the Cakrasaṃvara Tantra;Textual study;David Gray;On Supreme Bliss: A Study of the History and Interpretation of the Cakrasaṃvara Tantra

Book

The Cakrasamvara Tantra (The Discourse of Sri Heruka) - A Study and Annotated Translation (2007)

This is the first complete, critical English translation of the Cakrasamvara Tantra, also known as the Śrīherukābhidhāna and Laghusamvara. Composed in India during the eighth century, this text is a foundational scripture of one of the most important Indian Buddhist tantric traditions, as evidenced by the vast number of commentaries and ritual literature associated with it. Along with the Hevajra Tantra, it is one of the earliest and most influential of the Yoginī Tantras, a genre of tantric Buddhist scripture that emphasizes female deities, particularly the often fiercely depicted Yoginīs and Ḍākinīs.

The author’s introductory essay provides an analysis of the historical and intellectual contexts in which the text was composed, including its complex interrelationship with Hindu Śaiva traditions, and investigates the history of its adaptation by Buddhists. The translation was made on the basis of the surviving Sanskrit manuscripts of the Tantra and its commentaries, as well as parallel passages in related explanatory tantras (vyākhyātantra). It is also takes into consideration two different Tibetan translations of the root text, and several Tibetan commentaries. The translation itself is heavily annotated, with extensive translations from the Indian and Tibetan commentaries on the text. Includes a trilingual glossary and index. (Source: The American Institute of Buddhist Studies)

Gray, David B. The Cakrasamvara Tantra (The Discourse of Śrī Heruka): A Study and Annotated Translation. Treasury of the Buddhist Sciences. New York: American Institute of Buddhist Studies; Columbia University's Center for Buddhist Studies and Tibet House US, 2007.

Gray, David B. The Cakrasamvara Tantra (The Discourse of Śrī Heruka): A Study and Annotated Translation. Treasury of the Buddhist Sciences. New York: American Institute of Buddhist Studies;Columbia University's Center for Buddhist Studies and Tibet House US, 2007.;The Cakrasamvara Tantra (The Discourse of Sri Heruka) - A Study and Annotated Translation (2007);Textual study;David Gray; The Cakrasamvara Tantra (The Discourse of Śrī Heruka): A Study and Annotated Translation

Affiliations & relations

Santa Clara University · workplace affiliation
http://www.scu.edu/cas/religiousstudies/facultystaff/Regular/gray/ · websites